The quartet on jazz bassist Dave Holland's new album Prism is more electrified, and usually louder, than bands he's led before. Some reviewers see its music coming out of his early work with the electrified Miles Davis, but the parallel doesn't go far. Holland played bass guitar with Davis, not his usual bass violin. Plus, early electric Davis was gloriously unruly, while Holland loves the elegance of interlocking rhythm cycles, wheels within wheels.
For three years, jazz musician Vijay Iyer has worked with poet and performer Mike Ladd to set the words of war veterans to music. The resulting album, released earlier this month, is called <em>Holding It Down: The Veterans' Dreams Project</em>.
Vocalist Brianna Thomas and Michael Mwenso sang a duet of <a href="http://www.youtube.com/watch?v=FG5eeb_Ta3Y&feature=share&list=UU0XgYM_e-jE425-vYn_kgWg">"Don't Blame Me"</a> for the web series Capsulocity.
Credit Courtesy of Capsulocity
Brandon Bain had little in the way of formal vocal studies or video-editing training when he started his web series.
Gabe Baltazar (fourth from left) at New York City's Birdland Club in 1962, with members of Stan Kenton's band and the Count Basie Orchestra. The photo, from Baltazar's collection, is signed by Kenton (fourth from from right) and trumpeter Harry "Sweets" Edison (second from right).
Credit Courtesy of Gabe Baltazar
The Paul Togawa Quartet at the El Sereno Club in Los Angeles in the late 1950s. Left to right: Gabe Baltazar, Paul Togawa, Dick Johnston, Buddy Woodson.
Saxophonist Gabe Baltazar got his big break after Stan Kenton heard him playing in a college band and invited him to join his Orchestra in 1960.
"One of my biggest highlights in Stan's band was being featured on a beautiful standard tune called 'Stairway to the Stars,'" the 83-year-old Baltazar says. "He liked that tune, and he thought it would be my signature song. And throughout my career, four years with the band, I was featured on that and it was just great."
On this Piano Jazz from 2008, Eliane Elias performs a set of tunes distinctly dedicated to the music of the late Bill Evans. She performs Evans' tunes "For Nanette," "I Love My Wife," and "B Minor Waltz," and duets with Marian McPartland on two early Bill Evans favorites: "Autumn Leaves" and "Alone Together."
Originally published on Thu October 3, 2013 1:03 pm
After releasing his latest album, last year's Spirit Fiction, saxophonist Ravi Coltrane put his decade-old quartet on hiatus, and has now assembled a new group. Had John Coltrane lived to see his son grow up, he might have told Ravi about how his own "classic quartet" broke up; he'd begun to incorporate new voices (including Ravi's mother Alice Coltrane) by the time his new band recorded live at the Village Vanguard in 1966.
In Henry Dumas' short story "Will the Circle Be Unbroken?"three"afro-horns" have been forged from a rare metal found only in Africa and South America. One rests in a European museum; a second one is believed to be somewhere on the west coast of Mexico among a tribe of Indians; and a third is owned by Probe, a jazz musician. When Probe finally plays the afro-horn in public, the sound is devastatingly powerful.
At a ceremony and concert last night in Washington, D.C., the Thelonious Monk Institute of Jazz named Melissa Aldana, 24, the winner of its annual competition for young musicians. The highest-profile event of its kind, this year's competition was open to saxophonists.