Bryan Ferry says he only listens to 1920s jazz these days — and The Jazz Age, the new album from The Bryan Ferry Orchestra, backs up that claim. The Jazz Age finds Ferry doing a lot of listening, as he neither sings nor plays on the record.
Though originally from North Carolina, Christie Dashiell attended Howard University in Washington, D.C., and now studies with a teacher from New York Voices at Manhattan School of Music. No stranger to the Kennedy Center, she has participated in the Betty Carter's Jazz Ahead training program there, and sung with the a cappella choir Afro-Blue from Howard University.
Esperanza Spalding has often said that she hopes to use the fame from her 2011 Best New Artist Grammy to help give her friends and mentors in the jazz world the recognition they deserve. She got her chance earlier this month, when Spalding and her longtime teacher and mentor, trumpeter Thara Memory, accepted the Grammy for their arrangement of "City of Roses" from Spalding's 2012 album Radio Music Society.
Originally published on Sat February 23, 2013 5:47 pm
The Harlem Renaissance of the 1920s inspired several black artists to explore their African heritage and the black experience in America, from enslavement to life after emancipation and migration to cities in the north. In the musical world, pianist James P. Johnson composed Yamekraw: A Negro Rhapsody, a 12-minute portrait of a black community in Savannah, Ga. Yamekraw was orchestrated for a 1928 performance at Carnegie Hall by black composer William Grant Still, who would write his own Afro American Symphony in 1930.
Watching Jose James perform live was one of the most remarkable experiences we've had at our intimate in-studio sessions.
The soulful jazz singer blends his powerful vocals with hip-hop beats, smooth R&B choruses and an equally talented backing band. You'll never hear James' songs the same way again after hearing them live.
Originally published on Wed March 6, 2013 12:20 pm
The pianist Orrin Evans splits much of his time between Philadelphia, where he grew up, and New York, a much larger jazz scene where he gigs often. A hard-charging player, seasoned with the harmonic touch of fellow Philadelphian McCoy Tyner, Evans is in high demand in a lot of places. Last year saw him release his 19th album as a bandleader or co-leader, Flip the Script. It's a trio recording, a format which both intimidates and excites him; here, he takes up the three-man challenge anew.
Originally published on Fri February 15, 2013 12:19 pm
No matter what a certain television series tells you, Portland, Ore., isn't all that weird. Sure, we make great coffee, ride bicycles, eat organic food — and, yes, there are a lot of hippies and hipsters here. But Portland is much more than that.
Originally published on Thu February 14, 2013 1:27 pm
On a video promoting Bill Frisell's album All We Are Saying, the guitarist shares the depth of his connection to John Lennon's music: "I don't know if I'd be playing guitar if it weren't for The Beatles." Frisell tells the story of how, several tours ago, a European presenter asked Frisell's band to play a Lennon set.