Drummer Jack DeJohnette was 23 when he made his first recording with The Charles Lloyd Quartet in 1966. Since that time, he's been a driving force in the world of jazz. This year, DeJohnette will celebrate his birthday all year long — the big day is actually August 9 — with special events, including his current tour with his old friends Chick Corea (piano) and Stanley Clarke (bass).
Named the JJA Guitarist of the Year in June 2011, Russell Malone hails from Albany, Geo. Malone grew up absorbing music from his bedrock, the church, as well as popular blues and country tunes on radio and TV. For his golden-toned melodies played in octaves (try that some time!) and more, Malone is heavily influenced by Wes Montgomery.
A Toronto-based jazz trio whose approach to the genre has angered aficionados and grabbed the attention of young fans, BADBADNOTGOOD carries on jazz's rich tradition of reinvention and provocation. Its two full-length albums cover material that's of interest to your average oddball twentysomething: experimental rock, video-game soundtracks and electronic music, among others.
Pianist and singer Barbara Carroll is an old and dear friend of Piano Jazz host Marian McPartland. In fact, Carroll was the second ever guest to appear on Piano Jazz when the show began 30 years ago. Carroll recalls 1979 as a banner year for her, as well — it's the same year she started what became a 25 year run performing at Bemelman's Bar, at the Carlyle Hotel in Manhattan.
Originally published on Tue September 18, 2012 5:58 pm
The drummer Henry Cole plays brilliantly in the quartet of saxophonist and fellow Puerto Rican Miguel Zenón, a band responsible for my favorite jazz album of 2011 (Alma Adentro) and one of my favorites of 2009 (Esta Plena). This year, Cole released his debut album as a bandleader, an Afrobeat record called Roots Before Branches.
The death of a great musician ripples through the jazz community. It's a special loss to those improvisers we might call immediate survivors: working partners who'll miss that special interaction with a singular musician.
Originally published on Wed January 2, 2013 6:34 pm
The Puerto Rican drummer Henry Cole is probably best known in the U.S. as a stellar jazz accompanist, with bands led by compatriots and saxophonists David Sánchez and Miguel Zenón. Back in San Juan, Cole also works with poets and rappers, bomba musicians and pleneros, rockers and salsa ringleaders. He found they could all get down to Fela Kuti-style Afrobeat, and many jam sessions later, he found a way to record that sound for the 2012 album Roots Before Branches, with top New York jazz soloists coursing through it.