Peter Gabriel has just finished up the 25th-anniversary tour of his blockbuster album So. Manu Katche, the drummer who provided the driving beats for "Sledgehammer" and other songs from that record, was right there with Gabriel, helping him celebrate.
There are three stages at the Newport Jazz Festival. At least two are always running simultaneously. Given the surfeit of options, it's rare to hear a complete set. The question begins to nag: Should be we somewhere else? And away you go, leaving a work in progress to make sure you don't miss one getting underway.
But sometimes if you choose a spot on the lawn and stay put, the juxtaposition of two bands delivers a fine festival experience. Sunday morning, August 5, 2012, on the Quad Stage is such a time.
The drummer Jeff Ballard has a band called Fairgrounds. Well, he doesn't have a band as much as he has lots of bands, and knows lots of people to fill them — which might be expected of someone who has been a drummer for Chick Corea, Ray Charles and Brad Mehldau. With the Fairgrounds project, he gets to play a little fantasy baseball, mixing and matching sounds and musicians for his own ends.
Certain episodes of Treme seem to wear their ideological hearts on their sleeves, and this was one. You open with Desiree's mother's house getting torn down in a city mix-up; you have Davis throwing around phrases like "preservation through neglect"; you see housing projects torn down amid protest with the implication of a corrupt deal; you get protagonists like the Bernette family being harassed by police; you witness clueless developers trying to build a national jazz center while waiting for the other shoe to drop.
Originally published on Fri October 19, 2012 7:43 pm
"James Moody is the most beloved jazz musician in the world," reedman Paquito D'Rivera says.
These may be strong words, but D'Rivera is far from alone in his appreciation of the tenor saxophonist, who died in 2010. On the bandstand, Moody was universally admired for his musicality, his generosity — he gave away mouthpieces, saxophones and, once, even the coat off his back — and his ability to illuminate any room with his personal warmth.
This week, Piano Jazz digs deep into the archives with a session featuring James Herbert "Eubie" Blake. He was the last of the known living original ragtime pianists when he appeared on the program in 1980 with host Marian McPartland.
As we re-release these two sets from Newport, saxophonist John Ellis (leader of one, player in the other) is leading workshops in Portugal and Italy. Darcy James Argue has released a studio recording of Brooklyn Babylon, and his Secret Society tied with the Maria Schneider Orchestra for the Big Band of 2013 in the just-out DownBeat Critics Poll.
A lot can happen in six years. For Milwaukee-bred trumpeter Philip Dizack, it marked the passage of an era worth documenting in his own artistic chronology.
"End of an Era represents a moment when what you had is gone," he says about his new album during this session from WBGO's The Checkout. "For me, it's specific things like family relationships that ended. Both of my grandparents passed away. All those things were very personal, but I saw that everyone goes through something. And it's all the same."