The new quartet album by alto saxophonist Miguel Zenón and pianist Laurent Coq is called Rayuela, which means "hopscotch." It's named for Julio Cortázar's novel, the fragmented tale of a wandering bohemian and his social circles in Parisian exile, as well as back home in Buenos Aires.
A pioneer who muddies the waters separating jazz, blues, country, soul and rock, Cassandra Wilson possesses a beautiful voice and more than three decades of musical experience. The two-time Grammy winner began her career with the M-base collective, but found success as a solo jazz singer.
JazzSet returns to the 2011 Newport Jazz Festival for performances from two complementary bandleaders on the main Fort Adams stage: violinist Regina Carter and trumpeter Wynton Marsalis.
Regina Carter started playing violin as a 4-year-old Suzuki method student in Detroit, and later played in school and community orchestras. After attending the New England Conservatory of Music, she chose jazz as her primary direction. JazzSet first presented her from the 1995 Telluride Jazz Festival — on a stage in the mountains, playing into the open air.
Originally published on Tue September 18, 2012 5:12 pm
There's a lot of astounding information in this comprehensive profile of trumpeter Marcus Belgrave, "the reigning patriarch of Detroit jazz." After touring with Ray Charles for years, and getting opportunities with Max Roach and Charles Mingus, Belgrave opted not to stick it out in New York like many musicians of his caliber. Instead, he chose Detroit, where he's been since 1963.
Double bassist Renaud Garcia-Fons was destined to create music that spans genres and borders: He was born in France to a family with roots in the Catalonia region of Spain, and he's fluent in French, Spanish and English. Classical, jazz and flamenco represent equal parts of his musical DNA, and his technique reflects the delicate arco stylings of concert halls, the deep groove of jazz and the raw vitality of flamenco.
Originally published on Thu August 30, 2012 12:05 pm
This episode of Piano Jazz features the unique music of soprano saxophonist Paul Winter. He joins host Marian McPartland, along with bassist Gary Mazzaroppi and drummer Glenn Davis, for a set of ballads and originals. The set also features an additional special soloist — a humpback whale.
"It was very impressive," remembers McPartland. "And we don't often do a show so full of ballads. It was a different sort of show."
Note the message on Kevin Eubanks' cap: "Meet You at the <a href="http://www.americanjazzmuseum.com/SiteResources/Data/Templates/t1.asp?page=getcalendar&DocName=Home">Blue Room</a>." It's a nice club in Kansas City, in the historic district where Count Basie, Lester Young and Mary Lou Williams used to play.
Credit Len Katz Photography
From left to right: Kevin Eubanks, Bill Pierce and Marvin Smitty Smith perform at the Detroit Jazz Festival.
Originally published on Fri August 9, 2013 9:58 am
Kevin Eubanks (briefly) and saxophonist Bill Pierce (in the mid 1980s) both played in Art Blakey's Jazz Messengers, the two-generation-spanning band that is so very important in jazz from 1950s through the '80s. Now Pierce chairs the Woodwinds Department at Berklee College.
Eubanks and Marvin Smith were in TheTonight Show band together for 15 years, with guitar riffs and rim shots for Jay Leno Monday through Friday. "Smitty" brought Los Angeles bassist Rene Camacho into this group.
Originally published on Fri August 24, 2012 8:01 am
Drummer Albert "Tootie" Heath, 77, has certainly played thousands of gigs like this one, where he's hired to bring his casual brilliance to the extended songbook of jazz standards. After all, he played on John Coltrane's first album as a leader, and with every other name in hard bop from the late 1950s onward. In contrast, pianist Ethan Iverson's schedule currently revolves around touring with The Bad Plus, a band whose repertoire almost entirely omits common-practice jazz.