Originally published on Wed December 12, 2012 4:17 pm
The pioneering pianist Thelonious Monk left behind a treasure trove of compositions. Onstage at the KC Jazz Club at the John F. Kennedy Center for the Performing Arts in Washington, D.C., a current jazz treasure is here to play some of the best. Benny Green is on piano with Peter Washington on bass and Kenny Washington on drums.
Born in 1928, Fats Domino enjoyed the first of his many hits — almost all of which were created in New Orleans — when "The Fat Man" rose up the R&B charts all the way to No. 2. That was in 1950. Which explains all the records on the wall at his house, and the regal status he is afforded.
That, and other musical explainers, are in our latest Treme music recap, with WBGO's Josh Jackson.
Peter Gabriel has just finished up the 25th-anniversary tour of his blockbuster album So. Manu Katche, the drummer who provided the driving beats for "Sledgehammer" and other songs from that record, was right there with Gabriel, helping him celebrate.
There are three stages at the Newport Jazz Festival. At least two are always running simultaneously. Given the surfeit of options, it's rare to hear a complete set. The question begins to nag: Should be we somewhere else? And away you go, leaving a work in progress to make sure you don't miss one getting underway.
But sometimes if you choose a spot on the lawn and stay put, the juxtaposition of two bands delivers a fine festival experience. Sunday morning, August 5, 2012, on the Quad Stage is such a time.
Originally published on Thu April 11, 2013 1:53 pm
The drummer Jeff Ballard has a band called Fairgrounds. Well, he doesn't have a band as much as he has lots of bands, and knows lots of people to fill them — which might be expected of someone who has been a drummer for Chick Corea, Ray Charles and Brad Mehldau. With the Fairgrounds project, he gets to play a little fantasy baseball, mixing and matching sounds and musicians for his own ends.
Certain episodes of Treme seem to wear their ideological hearts on their sleeves, and this was one. You open with Desiree's mother's house getting torn down in a city mix-up; you have Davis throwing around phrases like "preservation through neglect"; you see housing projects torn down amid protest with the implication of a corrupt deal; you get protagonists like the Bernette family being harassed by police; you witness clueless developers trying to build a national jazz center while waiting for the other shoe to drop.
Originally published on Fri October 19, 2012 7:43 pm
"James Moody is the most beloved jazz musician in the world," reedman Paquito D'Rivera says.
These may be strong words, but D'Rivera is far from alone in his appreciation of the tenor saxophonist, who died in 2010. On the bandstand, Moody was universally admired for his musicality, his generosity — he gave away mouthpieces, saxophones and, once, even the coat off his back — and his ability to illuminate any room with his personal warmth.