Originally published on Tue November 20, 2012 4:03 pm
It's no wonder that pianist Bill Charlap loves the music that has come to be called The Great American Songbook — the songs of great Tin Pan Alley composers such as Jerome Kern, George Gershwin and Irving Berlin. He grew up with it. Charlap was born and raised in New York, the son of Moose Charlap (a Broadway composer) and Sandy Stern, a self-described "popular singer with jazz overtones."
Originally published on Wed December 12, 2012 4:13 pm
It's New Year's Eve at The Blue Whale, a "live jazz + art space" in the Little Tokyo section of downtown Los Angeles. Founded in 2009 by singer Joon Lee, this is a listening room. There's food at the bar, poetry (Rumi!) on the ceiling, and wall-to-wall people. The Blue Whale has been sold out for days, and the phone keeps ringing off the hook because everybody wants to be on the air, cheering for Billy Childs live on NPR's Toast of the Nation.
Originally published on Thu November 15, 2012 4:24 pm
The Chicago-based record label Thrill Jockey, led by founder Bettina Richards, has been presenting music on its own terms since 1992. Like any great independent label, it's difficult to identify the core "sound" of its releases, but its fans can easily identify its curatorial spirit. This is by design. "The way I listen to music, there are no categorical limits," Richards says.
The saxophonist Dayna Stephens, originally of the San Francisco Bay Area, has built up an impressive educational pedigree: Berkeley High, Berklee College of Music, the Thelonious Monk Institute's masters program. But he's really flourished by backing up greats like Kenny Barron and Idris Muhammad, and being a first-call player on both the East and West Coast. Blessed with a warm, enveloping tone, he's made two records as a bandleader, including this year's Today Is Tomorrow.
Pianist, composer and teacher Pete Malinverni is a multifaceted player known for his attention to melody and delicate phrasing. Spiritual influences radiate throughout his arrangement of "Deep River," and Malinverni and host Marian McPartland end a delightful hour as they join together in a performance of the Harold Arlen standard "Get Happy."
Originally published on Fri December 7, 2012 8:30 am
Bassist Omer Avital came from Israel to New York in the early '90s and found himself among the top tier of straight-ahead modern jazz performers. The time in the big city led him to re-investigate his roots — his parents are from the Arab-speaking world — and in 2002, he returned to Israel to study traditional music and oud. Since returning, he's remained a monster bass player, but has also integrated his Middle Eastern musical interests into his composing.
The three seasons of Treme have all found their way to Mardi Gras; appropriately, the day is always depicted with all the spectacle, vice and musical mayhem you might expect. Josh Jackson of WBGO returns to break down the many musical scenes in this year's go-round.
Patrick Jarenwattananon: So many flashes of live music this episode. Let's start at the beginning. Did you recognize the band where Lieut. Colson and his fellow officer are talking, and there are (clothed) women on poles in the French Quarter?