At the Mid-Atlantic Jazz Festival in February, one couldn't help but notice the striking new grand piano on the main stage, emblazoned with the name SHADD. When the many accomplished pianists that weekend sat down to strike those keys, it was equally easy to spot their delight in the instrument.
That piano was the product of a trailblazer in his field. The Shadd in question is jazz drummer Warren Shadd, the first African-American piano manufacturer. That makes him the first large-scale commercial African-American instrument manufacturer, period.
It's hard to imagine a musical career that included musicians as varied as Charlie Parker, Peggy Lee, George Shearing and Carlos Santana. But such was hand percussionist Armando Peraza's resumé after almost 70 years making music.
The Julian Lage Trio makes its first appearance on Mountain Stage, recorded live on the campus of West Virginia University in Morgantown.
A bona fide prodigy, Lage was the subject of the Oscar-nominated documentary Jules At Eight. He made his recording debut in 1999 at age 11, alongside David Grisman, Bela Fleck, Vassar Clements and Edgar Meyer.
Originally published on Wed April 30, 2014 2:04 pm
If you've witnessed a headlining performance from pianists Toshiko Akiyoshi or Hiromi, visited a "jazu kissa" cafe where records are spun and coffee poured, or read nearly any work by author Haruki Murakami, then you probably have a sense that Japan has taken well to jazz music.
Duke Ellington didn't consider himself a jazz musician.
He said he was a musician who played jazz. And what a musician: pianist, bandleader, composer of more than 1,000 songs including standards like "Don't Get Around Much Anymore," "It Don't Mean a Thing (If It Ain't Got That Swing)," "Satin Doll" and "Sophisticated Lady."
Pianist, composer, improviser and 2013 MacArthur Fellow Vijay Iyer has built a career of making musical connections. Increasingly recognized as one of the most inventive musicians working today, he received an interdisciplinary Ph.D.