Dee Dee Bridgewater's smile says it all: she's singing this week on JazzSet from the Caramoor Jazz Festival.
All summer, Caramoor presents chamber music, opera, Latin music, a resident orchestra and more — rain or shine. And it did rain in 2012, though the audience stayed dry under the Venetian Theater roof with Bridgewater and her awesome band.
Just southeast of the Virginia Commonwealth University campus in Richmond, Va., lies a compact neighborhood called Oregon Hill. Historically, it's been a (white) working-class part of town, affordable for students and various bohemian types. Recording engineer Lance Koehler was drawn to the place when he moved to Richmond from New Orleans; it's where he eventually found a two-story garage and converted it into his own recording studio and home. It didn't take him long to start doing business across the Richmond music map: Koehler is good at his job, and he's affordable.
Cynthia Sayer is widely regarded as one of the best banjoists in the world, able to perform in virtually any genre. Her accolades include the National Banjo Hall of Fame, a New York Philharmonic appearance and performances for two U.S. presidents. Sayer has played with Woody Allen's jazz band for more than a decade, and on this episode of Piano Jazz With Jon Weber, she whips up a fresh take on an old-time sound. Her latest album is titled Joyride.
Janis Siegel has been a member of the seminal vocal group The Manhattan Transfer for 30-plus years. Along the way, the group has recorded more than 20 albums and collected eight Grammy Awards, and Siegel also has nine solo albums under her belt.
The trio of Joe Dyson (drums), Max Moran (bass) and Conun Pappas (piano) met in New Orleans' performing-arts high school, and have all gone on to careers in music. Together, they've worked as Donald Harrison's rhythm section before they could legally drink, and in 2012 released a self-titled debut album as The Bridge Trio. Their new-school inspirations and grounding in New Orleans' musical community result in a precociously mature sound.
Originally published on Wed October 2, 2013 5:53 pm
Originally from Minneapolis, José James began chasing his dreams of jazz singing at 17. He found his way to London and New York, and eventually ended up at The New School to study jazz vocals. James was always interested in a musical place where jazz, R&B, hip-hop and more can all come together.
Clarinetist and saxophone player Don Byron has a way of homing in on a departed artist's legacy and transforming it with intelligence and adventure. Having already dedicated albums to klezmer clarinetist Mickey Katz, the great saxophonist Lester Young circa 1946 and R&B saxophonist Junior Walker, Byron and his latest project take after the legacy of classic gospel music, primarily that of composer Thomas A. Dorsey and singer Sister Rosetta Tharpe.