Latest Jazz from NPR Music

Leonard Feather On Piano Jazz

Sep 16, 2016

Leonard Feather (1914–1994) was hailed as the "Dean of Jazz Journalists." He critiqued artists for Downbeat, Melody Maker, Wire and his own weekly syndicated column in the Los Angeles Times. He authored works including The Jazz Years: Earwitness To An Era and The Encyclopedia Of Jazz.

Robert Glasper is always making music. Solo or with his quartet, the Robert Glasper Experiment, he's released 9 albums and collaborated with everyone from Herbie Hancock to Kendrick Lamar, investigating the sounds and rhythms of jazz and hip-hop in equal measure,

Oliver Jones On Piano Jazz

Sep 9, 2016

Oliver Jones is one of Canada's premier pianists and a winner of the prestigious Oscar Peterson Award. As a child, he took lessons with Daisy Peterson Sweeney, Oscar Peterson's sister. With a long career as a performer, composer and educator, Jones is an important player in the international jazz piano scene.

Nels Cline is unabashed about his love for sound. "I get a kind of fundamental, if not moronic, pleasure from sound as soon as it starts," he tells Fresh Air's Terry Gross. "Even in sound checks, once we start playing, I'm in the zone. I'm happy, because I like playing."

Walter Davis Jr. On Piano Jazz

Sep 2, 2016

Pianist Walter Davis Jr. (1932–1990) spent more than four decades contributing to the development of jazz history. He worked with a wide variety of talent, including Dizzy Gillespie, Donald Byrd and Art Blakey and the Jazz Messengers.

Sometimes in jazz, a melody is an excuse. It gets played once at the start and again at the end, becoming a suggestive frame upon which to improvise; sometimes it might as well be dispensed with entirely. That can be liberating and dazzling and creatively rich. But sometimes a melody deserves much more. Sometimes it is more essential; even if its mass feels relatively light, its gravity remains immense. Sometimes it demands a whole song to express itself.

Three Miles Ahead

Aug 26, 2016

It's been said Miles Davis is to jazz is like Hemingway is to the American novel, like Picasso is to art. But he was more than just a trumpeter — he was an icon of style and artistry.

Jazz Night in America explores three interpretations of Miles Davis — on the silver screen, the page and on the bandstand. We speak with actor Don Cheadle, who directed, produced, wrote and starred in Miles Ahead; writer Quincy Troupe, who helped Davis write his autobiography; and trumpeter Keyon Harrold, who led a special tribute concert at Dizzy's Club Coca-Cola.

Cecile McLorin Salvant And Sullivan Fortner

Aug 26, 2016

Ever since the earliest days of jazz music, the pairing of piano and voice has frequently attained a deeply personal level of communication. It's evident in the distinct chemistry between two rising stars of their instruments: pianist Sullivan Fortner and singer Cécile McLorin Salvant.

Jazz Night In America gets to know the charming duo on stage at Dizzy's Club Coca-Cola and beside a piano in a Harlem brownstone.

Norah Jones On Piano Jazz

Aug 26, 2016

Vocalist Norah Jones has a sweet, smoky voice that makes standards sound not just revived, but new. Her style branches out into the realms of folk, country, soul, pop and jazz. In 2003, the year she was Marian McPartland's guest on Piano Jazz, Jones won her first Grammy Awards for her debut album, Come Away With Me.

Marty Napoleon On Piano Jazz

Aug 19, 2016

Pianist Marty Napoleon (1921–2015) came from a musical family: He was the nephew of trumpeter and bandleader Phil Napoleon and brother of pianist Teddy Napoleon. In 1950, he joined his uncle's group, The Memphis Five; he later became a member of the Big Four, led by Charlie Ventura. He also played with Louis Armstrong's All Stars, led his own trio and performed as a soloist.

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