Today, a Turkish court approved the indictment of pianist and composer Fazil Say for inciting hatred and public enmity and insulting "religious values" in a series of Twitter posts. One of his lawyers says that he has also received death threats. The trial has been scheduled for October 18.
There are two war-related anniversaries this week that make today's album review all the more timely. Yesterday was Memorial Day here in the U.S.; tomorrow, May 30, marks 50 years since the world premiere of English composer Benjamin Britten's War Requiem at Coventry Cathedral. The War Requiem was commissioned for the cathedral's reconsecration after it had been destroyed by a Nazi bombing raid in 1940.
Together, violinist Joshua Bell and pianist Jeremy Denk make for one of the most dynamic duos in the classical music world. The two have been recording and performing together in the classical repertoire for almost a decade, and have become equally at home thumbing through the pages of the Great American Songbook.
Some of the best recent classical music stories have come from Venezuela, that country's youth orchestra program El Sistema and its most popular graduate, Los Angeles Philharmonic conductor Gustavo Dudamel.
When the Canadian Brass came to NPR for a Tiny Desk Concert, the group kicked off the show with a piece its members say has been central to its repertoire for more than 40 years. It's a transcription of an organ work, Johann Sebastian Bach's "Little" Fugue in G Minor.
If you drive about an hour and a half north of Santa Fe, N.M., into a place called the Chama Canyon, you might hear the clanging of church bells in the distance. The Monastery of Christ in the Desert was founded there in 1964 and is home to a community of Benedictine monks. They spend their days in prayer, work, meditation — and music.