Originally published on Tue September 18, 2012 4:53 pm
Yesterday, the opera world was jolted by a rapid-fire sequence of stunning turns at the Metropolitan Opera — and not by divas onstage. In the morning, the New York Times carried a front-page story by Daniel J.
Jeremy Denk has recently written for <a href="http://www.newyorker.com/reporting/2012/02/06/120206fa_fact_denk"><em>The New Yorker</em></a> and <em><a href="http://www.nytimes.com/2012/04/15/books/review/the-great-animal-orchestra-by-bernie-krause.html?_r=2&adxnnl=1&pagewanted=all&adxnnlx=1337778055-USiY+mXCAcDwaHTUn+NOVA">The New York Times</a> Book Review.</em>
Orphaned at age five from a musical family, French composer Félicien-César David had a religious upbringing, and would go to study at the Paris Conservatory in 1830. But he left after eighteen months, later making his way to Egypt, where music of the East would make a lasting impression on him.
David wrote a significant body of work, including a highly acclaimed and innovative symphonic ode Le Désert in 1844. It established him as the first French romantic orientalist and gained him a reputation throughout the continent.
This Saturday, 200 buglers will assemble at Arlington National Cemetery to begin playing "Taps," a call written 150 years ago this year.
Retired Air Force Master Sgt. Jari Villanueva, a bugle player, says he started out as a Boy Scout bugler at about age 12. He went on to study trumpet at the Peabody Conservatory before being accepted into the United States Air Force Band — where one of his duties over the next 23 years was to sound that call at Arlington National Cemetery.