An astonishing conversation has emerged in the weeks since Irish mezzo-soprano Tara Erraught began her run as Octavian at the Glyndebourne Festival in England. Erraught was excoriated by a handful of male London critics for her weight — prompting a widespread backlash on her behalf in the aftermath of those reviews.
Though New York City-based Gabriel Kahane wasn't raised there, The Ambassador feels like a musical tour of Los Angeles. The album makes 10 stops in the city where the composer and singer-songwriter was born and only came to appreciate later in life, each with a specific address used as the song title.
Arvo Pärt's devout, contemplative, seemingly timeless music speaks to modern listeners as almost no other composer's does. It has the purity and gravity of monastic chant, the clarity of minimalism and a profound spirituality. These qualities have helped it find a broad audience outside the confines of classical music.
Star mezzo-soprano Joyce DiDonato gave the 2014 commencement address at Juilliard Friday — and it's a memorable one, both for her words and by DiDonato's own example as someone whose own career began under low heat.
Outside the concert hall at Occidental College, in Los Angeles' Eagle Rock neighborhood, children are invited to test out the instruments the Santa Cecilia Orchestra will play later. Alexa Media Rodriguez, 8, says she and her family have never before been to an orchestra concert. She heard about the orchestra when some of the musicians visited her school.
"I brought my dad, my stepmom," she says, "my sister, my brother and my sister's cousin ..."
That's the thing about this orchestra, says conductor Sonia Marie De Leon De Vega: The children are bringing the parents.
In his own words, Mark Stewart makes a living playing a little bit of popular music, quite a bit of semi-popular music and an enormous amount of unpopular music — the last being all the music you probably haven't heard.
Growing up as a violinist, Felix Mendelssohn's Violin Concerto ranked among my top 10 Holy Grail pieces. As I got older, I moved on to his Octet and Piano Trio in D minor, which became two of my favorite chamber works. There's almost nothing comparable to playing Mendelssohn's Octet with seven great string players. It's absolutely thrilling, energetic, virtuosic, youthful, fun and challenging. And to think that Mendelssohn wrote it when he was just 16.