Originally published on Sat December 13, 2014 2:21 pm
Boston's Handel and Haydn Society is one of the oldest continuously running performing arts organizations in the country. To celebrate its bicentennial this season, the group made a new recording of a holiday perennial, Handel's Messiah, which also happens to be one of the first works it staged nearly 200 years ago. Still, the Handel and Haydn Society is very different from what it was when it started.
Originally published on Fri December 12, 2014 10:59 am
Most years, Tom Huizenga and I spend a lot of time after Thanksgiving and well into December battling over — or, more truthfully, having many friendly but spirited discussions about — which recordings should comprise our 10 favorites of the year. We each come up with a list of 10, and then we start hammering things out in some amount of exquisite music-nerd agony. Some albums we agree upon, some are our individual picks.
Originally published on Thu November 27, 2014 9:10 am
The words of the Stabat Mater come from an ancient Latin text describing Mary weeping at the cross over her son, Jesus. While the Catholic poem has been set to music by many — from Vivaldi to Arvo Pärt — three contemporary composers have put their own spin on the old verses.
Alissa Firsova was born in Moscow, but has lived in England since she was 4.
Find out with our member station Q2 Music, which is hosting an evening dedicated to three important album releases from the year nearly past. The concert takes place at The Greene Space in New York on Dec. 2 at 7 PM.
Originally published on Thu November 20, 2014 7:22 pm
Gilberto Reyes is a musician who grew up to Mexican parents in Southern Texas. He says as a kid he was not afraid of El Cucuy, or the boogeyman. He was more concerned about Camelia La Tejana, or Camelia of Texas.
"I remember when I was a kid listening to the songs, thinking, 'Wow. Una bandida,' " Reyes says. "This incredible woman with power to make men do whatever she wants at her will, you know."
For more than 40 years, one sprawling, light-drenched, fifth-floor loft in Tribeca has played home to the life and white-hot creative energies of composer, choreographer, dancer and joyfully pioneering singer Meredith Monk.