Joyce DiDonato

Opera on WRTI
2:21 pm
Thu July 3, 2014

Lyric Opera of Chicago on WRTI: Mozart's LA CLEMENZA DI TITO, July 5, 1 PM

Amanda Majeski, Matthew Polenzani, and Joyce DiDonato star in Mozart's La Clemenza di Tito.

Sex and power are front and center in Wolfgang Amadeus Mozart's riveting La Clemenza di Tito. Can a Roman emperor forgive a woman who either wants to marry him or murder him? And can he pardon the would-be assassin who's supposedly his best friend? Find out in this spellbinding opera broadcast on Saturday, July 5, 1 to 4 pm.

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WRTI Picks from NPR Music
12:04 pm
Wed May 28, 2014

Read Joyce DiDonato's Inspiring Juilliard Commencement Speech

Mezzo-soprano Joyce DiDonato.
Simon Pauly Courtesy of the artist

Star mezzo-soprano Joyce DiDonato gave the 2014 commencement address at Juilliard Friday — and it's a memorable one, both for her words and by DiDonato's own example as someone whose own career began under low heat.

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Opera on WRTI
3:33 pm
Fri May 9, 2014

The Met Opera on WRTI: Rossini's LA CENERENTOLA (Cinderella), May 10, 1 PM

Soprnao Joyce Didonato sings the title role in Rossini's LA CENERENTOLA, the final Met Opera broadcast in the 2013/2014 season.

The Metropolitan Opera's 2013/2014 broadcast season concludes this Saturday with Gioacchino Rossini's La Cenerentola, starring mezzo-soprano Joyce DiDonato in the title role, and tenor Juan Diego Flórez as her Prince Charming. Alessandro Corbelli and Luca Pisaroni complete the cast, with Met Principal Conductor Fabio Luisi leading the effervescent score. Saturday, May 10, 1 to 4:30 pm.

Synopsis

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Creatively Speaking
1:04 pm
Mon March 17, 2014

Joyce DiDonato's Life On The Operatic A-List

Joyce DiDonato

The superstar mezzo-soprano Joyce DiD0nato is one of the world’s most in-demand opera singers. Here she tells WRTI’s Jim Cotter about how her life and career have unfolded since those faraway days at Philadelphia’s Academy of Vocal Arts. She'll give a rare recital in Princeton next week.

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Creatively Speaking
8:19 am
Mon November 11, 2013

The Resilience of Joyce DiDonato

Mezzo-soprano Joyce DiDonato
David Zobel

This Saturday, November 16th, WRTI dedicates its programming to opera. The now annual "Opera Day" is a celebration of this grandest expression of music and theater.  WRTI’s Jim Cotter profiles Mezzo-soprano Joyce DiDonato; she's not only one of America’s premiere operatic voices, but also one of the hardiest. 

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Opera on WRTI
11:54 am
Sat September 7, 2013

San Francisco Opera: Bellini's THE CAPULETS AND THE MONTAGUES, September 7, 1 PM

Jpyce DiDonato sings Romeo and Nicole Cabell sings Giulietta in Bellini's THE CAPULETS AND THE MONTAGUES, sung in Italian.

The tragic tale of Romeo and Juliet inspired some of Shakespeare's finest verse—and some of Bellini's most beautiful melodies. "An opera of definite dramatic appeal" (The New York Times) awash in "music of extraordinary grace" (All Music Guide), this bel canto masterpiece features international stars Joyce DiDonato, a singer of "glamour, charisma, intelligence, grace and remarkable talent," and Nicole Cabell, who "wields her radiant lyric soprano like a silken lasso" (The New York Times).

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Crossover
2:49 pm
Fri July 5, 2013

Diva DiDonato: The Wow Factor

David Zobel

Jill Pasternak speaks with Joyce DiDonato on Crossover, November 2012

Mezzo-soprano Joyce DiDonato, the brightest new light on the operatic horizon, graces us with her new release, Drama Queens, on the Virgin classics label. Her interpretation of works by Baroque composers such as Orlandini, Handel, and Monteverdi knocks your socks off. And in a blazing red silk gown, she breathes life into her ancient "heroines" - jealousy, tenderness, and passion - unchanging in the scheme of life.  Saturday, July 6, 11:30 am to 12:30 pm on Crossover with host Jill Pasternak.

Deceptive Cadence
3:09 pm
Thu April 18, 2013

How Do You Handle Loneliness On The Road?

In her latest video message, opera star Joyce DiDonato ponders the art of loneliness on the road.
Nicholas Heavican

Originally published on Thu April 18, 2013 3:30 pm

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The Metropolitan Opera
6:49 am
Fri January 18, 2013

The Met Opera: Donizetti's MARIA STUARDA, Jan. 19th at 1 pm

Joyce DiDonato sings the doomed Mary, Queen of Scots
David Zobel

Joyce DiDonato's performance in the title role of Mary, Queen of Scots, "will be pointed to as a model of singing," full of  "plush richness and aching beauty," in this Met premiere production. Elza van den Heever is "a vocally burnished and emotionally tempestuous" Elizabeth (New York Times). Matthew Polenzani sings Leicester and Maurizio Benini conducts.

Saturday, January 19th, 1 to 4 pm.
Gaetano Donizetti: Maria Stuarda

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Creatively Speaking
10:41 pm
Sun January 13, 2013

Joyce, Queen of Mezzos

Jim Cotter speaks with mezzo-soprano Joyce DiDonato.

WRTI will broadcast Donizetti’s Maria Stuarda live from The Metropolitan Opera on January 19th. The performance will also be shown live in hundreds of movie theaters around the world.

In this tale of royal intrigue, set in 16th-century England, the title role of Mary, Queen of Scots is sung by Joyce DiDonato. WRTI’s Jim Cotter spoke with the superstar mezzo-soprano about her latest role, how she constructs her characters, and how her years at Philadelphia’s Academy of Vocal Arts were more useful personally and professionally than artistically.

Today, Joyce DiDonato is firmly ensconced on opera’s "A" list. But when she was training at AVA in the 1990s, such a future outcome seemed very unlikely.

DIDONATO: I wasn’t a star singer there and it wasn’t clear that I would go on and have a career, I had to go deep inside myself and ask do I still want to stay with this?

COTTER: So why did stick with it?

DIDONATO: I had to.

After Philadelphia, she had spells in the young artist programs at Santa Fe Opera and Houston Grand Opera where she says it all began to come together for her vocally.

COTTER: The voice started getting free and I started too find my voice, and that needed to happen. And happily it did and I continuously work to find more freedom.

DiDonato believes that in order to fully explore roles she needs to understand what the composer wanted, the historical context of the story and bring her own life experiences to the process of creating a fully fleshed-out character.

DIDONATO: The pain that I’ve gone through, in various ways, it always comes out of nowhere and socks you over the head. Of course I use that. It informs who I am as a human being and therefore it informs who I am as an artist.

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