Miniatures are big on Now Is the Time, Saturday, June 14th at 9 pm at wrti.org and WRTI-HD2. The Pastiche of John Biggs is a riot of tunes you already know, skillfully arranged, while Miniatures are original offerings from Louis Anthony deLise's brand-new CD for flute and piano. A concertino is a small concerto, but Harold Schiffman's, for oboe, is the biggest work on the program and a lyrical treat.
The question—What Is American Classical Music?—comes to mind on Now Is the Time, Sunday, August 18th at 10 pm. The Symphony No. 1 of John Biggs is in the grand tradition we think of as “American,” with wide-open sounds and deep breaths from the prairies—first brought to us by Virgil Thomson of Kansas and Aaron Copland of Brooklyn. It’s as American as it gets.
The music of John Biggs grows honestly out of this tradition, but the very day in 1963 that the middle movement was completed, President John F. Kennedy was assassinated. This Passacaglia of this American symphony, often performed separately as a memorial, lends added resonance to the entire work.
Carol Barnett takes two worlds that ought not go together—and makes them go together. The World Beloved, A Bluegrass Mass is remarkable because of its integrity. This is no simple Mass-with-a-banjo. Text is interpolated between the sections of the Mass, and the total result is solid, colorful—and uplifting. The bluegrass band Monroe Crossing joins Philip Brunelle’s VocalEssence in a work that could only have come to light in America.