Animals and nature are as big a part of Hélène Grimaud’s world as playing concertos with the great orchestras of the world. For years, the concert pianist's earnings went into the creation of the Wolf Conservation Center for endangered species in upstate New York. Then, after seven years of living in Switzerland, she's living back in North Salem, New York where the Philadelphia Inquirer's David Patrick Stearns befriended her German Shepherd Chico.
It was an unforgettable performance! Re-live it on Sunday, September 22, 2 to 4 pm as then Music Director-Designate Yannick Nezet-Seguin took the podium in March, 2011 to conduct The Philadelphia Orchestra, Westminster Symphonic Choir, and soloists Dorothea Roeschmann and Matthias Goerne in a critically acclaimed performance of Johannes Brahms's humanistic and glorious Ein Deutsches Requiem, A German Requiem - a symphonic as well as a choral masterpiece.
The program also features one of the pillars of the classical repertory: Mozart's Symphony No. 40. Gregg Whiteside is host and producer.
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The Tragic Overture of Johannes Brahms, performed by the London Philharmonic Orchestra, Marin Alsop, conducting, is featured on CD 1 in the WRTI 60th Anniversary Classical 3-CD set.
"One weeps, the other laughs." So Brahms remarked about his two, contrasting pair of concert overtures—the jovial Academic Festival Overture and the Tragic Overture. The complementary overtures are like the masks of the Greek dramas: Comedy facing one way, Tragedy the other.
Although Brahms read Sophocles, Shakespeare, and Goethe, in the musical tragedy he is not telling a specific story, but instead is invoking a mood, an emotional impression. Two hammer chords announce and reappear throughout the overture. It is a dark and stormy overture.