Jeffrey Khaner

CAMILE SCHELSTRAETE

Conductor, harpsichordist, and early music specialist Ton Koopman conducts The Philadelphia Orchestra in this Sunday’s broadcast at 1 pm. It's a Verizon Hall concert from this past March, during which Koopman teams with his wife, harpsichordist Tini Mathot, in a performance of C.P.E. Bach’s Concerto for Two Harpsichords, a boldly experimental work by a composer well-known for his innovation and dynamism.

Wolfgang Amadeus Mozart (1756-1791) didn't play the flute, and once suggested he didn't even like it. But as WRTI’s Susan Lewis reports, he went on to write music that makes the instrument sing...and dance!


Join us this Sunday, from 1 to 4 pm, for a Philadelphia Orchestra in Concert re-broadcast from a series of fall 2013 concerts that introduced Philadelphia audiences to three major new works commissioned by the Orchestra.

The flute is one of the oldest musical instruments, with its earliest versions found thousands of years ago in different cultures. As WRTI’s Susan Lewis reports, a recently composed flute concerto celebrates one of its ancient bamboo ancestors.

On Sunday, September 28, 2014, on WRTI, Jeffrey Khaner and The Philadelphia Orchestra perform Behzad Ranjbaran’s Flute Concerto.

Join us for two Mozart favorites on this Sunday's Applause! broadcast. It's the Chamber Orchestra of Philadelphia in a concert recorded just last month. Mathias Bamert is guest conductor. Philadelphia Orchestra Principal Flutist Jeffrey Khaner will play the Mozart Flute Concerto No. 2, and Mozart's 40th Symphony concludes the broadcast.

Dave Conant is your host, Easter Sunday, 5 to 6 pm.

This Sunday at 1 pm, from a concert at the end of October, Rafael Frühbeck de Burgos returns to conclude his two-week residency, with a French afternoon of exotic, colorful music - Ravel’s Second Suite from his ballet Daphnis and Chloé, Debussy’s colorful images of a musical seascape in his most-famous work, La Mer, and showcasing German violinist Augustin Hadelich, making his Philadelphia  Orchestra debut in Lalo’s exuberant Symphonie espagnole.

The Philadelphia Orchestra is launching a mini festival of new concertos this week. But instead of the typical violin, piano, or cello soloists, the orchestra's principal harp, bassoon, and flute will be out in front, in pieces that, as The Philadelphia Inquirer’s David Patrick Stearns reports, promise to be anything but more of the same.

Classical music is a complex art form, and learning an instrument well takes not only talent but many hours, days, and years of lessons and practice. While the talent necessary to play an orchestral instrument hasn’t changed much over the years, today, Internet and video technology are offering  new ways of teaching and learning an instrument, with the potential to connect large numbers of  students with some of the best musicians in the world.