James Primosch

Now Is the Time
10:56 am
Fri April 3, 2015

The Women at the Cross

Two Philadelphia composers explore sacred themes on Now Is the Time, Saturday, April 4th at 9 pm. Holy the Firm is the song cycle by James Primosch on texts by Denise Levertov, Annie Dillard, Susan Stewart, and the 7th-century John Climacus, whose monastic treatise The Ladder of Divine Ascent takes its inspiration from the angels in Jacob's dream. From Primosch's Sacred Songs CD, this is magical and colorful writing for soprano and small orchestra.

Curt Cacioppo's Women at the Cross, from his recent CD Ritornello, is a suite for string quartet and piano focused on the week of the Passion of Christ. The movements are Maria gratia plena (Mary, full of grace), Procula, Veronica, Maddalena, La terza Maria, Salome, and Sons of Thunder; the finale refers to James and John, called "Boanerges" or "Sons of Thunder" by Jesus, and thought to be the sons of one of the women disciples, Salome.

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Encore!
3:22 pm
Tue August 26, 2014

The Crossing on WRTI: The Second "Month of Moderns" Concert, August 31, 4 PM

The Crossing performing at The Icebox at Crane Arts Center in June, 2014.
Becky Oehlers Photography

This Sunday, join us for The Crossing chamber choir's second concert in their Sixth Annual Month of Moderns Festival, recorded live at The Icebox at Crane Arts Center in the Northern Liberties section of Philadelphia on June 28, 2014, and conducted by Donald Nally.

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Now Is the Time
1:18 pm
Sun August 25, 2013

Berceuse Fantasque on Now Is the Time

You might call these fantastic lullabies on Now Is the Time, Sunday, August 25th at 10 pm. The birth of a friend's daughter inspired Rick Sowash's Lullabye for Kara for cello and piano. Steven Gerber's Violin Concerto is a rocking to sleep, of sorts, of a work he began as a student at Haverford College but never finished. One part of it, however, was born anew as this concerto's first movement.

From solo strings to more—but synthesized—is Carl Berky's The Synthelating Mariachi String Band. In Secret Geometry, James Primosch uses electronic tape with piano, and between explosive Variations and a brilliant Toccata is a Nocturne in the true spirit of night-music: the other side of a lullaby, perhaps. Phillip Lasser focuses on the singer of the lullaby rather more than the song itself, in Berceuse fantasque for violin and piano.

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