Giuseppe Verdi

In the giddy, glitzy world of the Roaring Twenties, a naive young man falls head over heels for a glamorous party girl. Together they trade the fast life for an idyllic love nest far from the city…until an unexpected visitor threatens to tear them apart. It's one of opera’s greatest romances, La Traviata on WRTI, July 18, 1 to 3:30 pm. James Conlon conducts.

Nino Machaidze sings Violetta, with Arturo Chacón-Cruz as her handsome Alfredo. The incomparable Plácido Domingo sings the role of the father determined to do the right thing.

The troubadour Manrico and Count di Luna are bitter enemies. But in a twist of fate, they're both in love with Leonora — and they're brothers without knowing it.

Emotions boil in an action-packed story that includes babies switched at birth, kidnapping, mistaken identity, poisoning, civil strife, witches burned at the stake, and a noblewoman who offers herself to a man she hates, to save the man she loves.

Ken Howard

Join us on Saturday, April 11th for our weekly broadcast of the Metropolitan Opera - live from Lincoln Center. This week, it's Verdi's DON CARLO, with Yannick Nezet-Seguin on the podium.

Ferruccio Furlanetto first sang Philip with the Met in 2005, and then again in 2010 and 2013, and has portrayed the tormented monarch around the world. His other recent roles at the Met have included Silva in Verdi’s Ernani, and Jacopo Fiesco in Simon Boccanegra, which he will reprise at the Met next season.

Marty Sohl

Join us for a live broadcast of Giussepe Verdi’s early opera Ernani. Met Music Director James Levine conducts his first company performances of the opera in more than 30 years, with Plácido Domingo as Carlo, King of Spain – a baritone part he has added to his vast repertoire this season.

Ken Howard / The Metropolitan Opera

This is grand opera at its grandest! Verdi’s mythic love triangle features soprano Tamara Wilson, who makes her network broadcast debut as the Ethiopian princess Aida, opposite tenor Marcello Giordani as the Egyptian warrior Radamès. Soprano Violeta Urmana sings Amneris.  Marco Armiliato conducts. Mary Jo Heath is sitting in for Margaret Juntwait. The Metropolitan Opera, Saturday, January 10, 1 to 4 pm on WRTI 90.1 FM or online at wrti.org

Discoveries from the Fleisher Collection broadcasts Saturday, December 7th, 2013, 5-6 pm on WRTI and wrti.org. Shakespeare continues to live, and if you were to name an orchestral work based on one of his plays, we wouldn’t blame you for coming up with one of the most popular works in the repertoire, Tchaikovsky’s Romeo and Juliet. But it wouldn’t be Discoveries without a curve ball or three, so this month we offer another Fantasy-Overture of his, Hamlet.

Tune in for a treat on Saturday, October 26 at 1 pm. Tenor Luciano Pavarotti sings Rodolfo in a San Francisco Opera archival production of Giuseppe Verdi's Luisa Miller. Conducted by Jesus Lopez-Cobos. Recorded Fall 1974, War Memorial Opera House.

Synopsis and interview with Luciano Pavarotti

Verdi's Gift: Wringing Catchy Music From Touchy Subjects

Oct 8, 2013

Two hundred years ago this week, Giuseppe Verdi was born in an Italian town midway between Bologna and Milan. On the occasion of his bicentennial, All Things Considered wanted to know what makes the great opera composer so enduring — why his work is still so frequently discussed and performed these two centuries later. The answer, says conductor and arranger John Mauceri, is that Verdi had a knack for making thorny topics accessible.

This past week may have been a rough one for the classical world, but there is something to look forward to.

This coming week, we celebrate the 200th birthday of Giuseppe Verdi, composer of the best opera of all time. (That's right, Wagner fans. Start writing those letters.)

This is a world where murder’s a sport and debauchery’s a way of life. At its rotten core reigns the Duke of Mantua, a serial seducer who’s out to conquer anyone in skirts—from servant girls to the wives and daughters of his noblemen friends. Aiding his boss in the game and cheering him on when he scores is Rigoletto, the despised court jester. Only one person brings him joy—his innocent daughter Gilda, whom he keeps behind locked doors and guards with his life.

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