George Frideric Handel

Creatively Speaking
10:10 am
Mon December 16, 2013

Handel's Messiah: A Christmas Tradition Born in the Spring

George Frideric Handel (1685-1759)

Handel’s Messiah, originally composed for performance during the springtime Christian observance of Lent, has become a  contemporary staple of Christmas celebrations in modern America. WRTI’s Susan Lewis has more on this 18th-century oratorio.

On Sunday, December 22, at 2 pm, WRTI will broadcast The Philadelphia Orchestra and The Philadelphia Singers Chorale with soloists in a LIVE performance of Handel's Messiah, direct from The Kimmel Center!

Read more
Creatively Speaking
8:45 am
Mon December 16, 2013

Philadelphia’s First Messiah Concert: The Doors Closed Promptly at 11:00 AM

An 1825 publication by a Philadelphia publisher of the full oratorio, The Messiah arranged for organ.

Philadelphia’s role in the formation of our government is characteristic of a time when the city and its leading residents were forging firsts of all kinds. As Handel’s Messiah is performed this holiday season, WRTI’s Meridee Duddleston wondered when and where those first citizens might have heard the great Baroque work.

Linda Wood is assistant head librarian in the music department at the Free Library of Philadelphia.  She compiled several reference materials relating to the first performance and other early performances of Handel’s Messiah.

Read more
Creatively Speaking
5:48 am
Mon December 2, 2013

All About Handel's Water Music

George Frideric Handel (1685-1759)

Handel's Water Music stands alongside his Messiah and Music for the Royal Fireworks as one of the best-known works of a composer who went from operas to oratorios. The now-famous Baroque suite commissioned for a king’s ceremonial boat ride on the River Thames was first performed during the summer of 1717.  Five years later, it was brought inside to London’s Stationers Hall. But whether the audience heard all or just part of the hour-long suite remains a mystery.

Read more
Creatively Speaking
5:00 am
Mon June 24, 2013

What Do You Know About Handel's Water Music?

George Frideric Handel was born in Germany in 1685, and moved to Britain as a young man. He spent his most productive years there, and became a naturalized British subject in his early 40s.  His now-famous Water Music suites, commissioned for King George I for a ceremonial boat ride on the River Thames in London, were first performed during the summer of 1717. 

Five years later, Water Music was brought inside to London’s Stationers' Hall. But whether the audience heard just a portion, or the entire hour-long work, remains a mystery. WRTI’s Meridee Duddleston puts the well-known Baroque piece into perspective.

Steven Zohn, professor of music at Temple University's Boyer College of Music and Dance, adds context to Handel’s Water Music.

Creatively Speaking
3:16 pm
Mon February 18, 2013

Listening To Water Music In Winter

This week, in 1722, an audience at London’s Stationers’ Hall first heard the now-famous Baroque suite commissioned for a king’s ceremonial boat ride on the River Thames. WRTI's Meridee Duddleston listens to Handel’s Water Music...in winter.

Born in Germany, George Frideric Handel moved to Britain as a young man and spent his most productive years there. He enjoyed the favor of the German-born King George I, and became a naturalized British subject in his early 40s. Handel's Water Music stands alongside his Messiah and Music for the Royal Fireworks as the best-known works of a composer who went from operas to oratorios.

DUDDLESTON: Music is a living thing. Along with a conductor’s interpretation, the performance of a composition reflects the sensibilities of the times.  A work can also grow in influence far beyond what it enjoyed during a composer’s lifetime. Water Music, so associated with George Frideric Handel, probably wasn’t an 18th-century blockbuster.

ZOHN: It would have been regarded at the time as kind of a relatively minor, obscure work by Handel. Nothing like it is today, where it’s one of Handel’s big hits.

DUDDLESTON: Temple University Music History Professor Steven Zohn, an expert on Baroque music, says King George I liked the hour-long work so well that he had the musicians play it three times. But five years later, when it was performed inside, no program survived; whether the audience heard all or just parts remains murky.

ZOHN: There was no full score for a long time. And, probably, Handel just kind of kept it close to his vest, you know, not wanting to let it out –because perhaps he had other ideas of how it could be used.

DUDDLESTON:  Later, during Handel’s lifetime, the 22 movements in the original single sequence were grouped together by key and instrumentation. And today, parts have played a role in television, movies, and advertisements. But Zohn says an undated score discovered in London in 2004 reinforces that Handel first conceived the work as a single composition to accompany one long, languorous cruise down the river.

Steven Zohn, professor of music at Temple University's Boyer College of Music and Dance, adds context to Handel’s Water Music.

  Information about Professor Steven Zohn's lecture at Princeton University.

New Classical Albums
12:54 pm
Sun April 8, 2012

From Hyperpianos To Harmonious Handel: New Classical Albums

Lisa Smirnova studied Handel's suites for five years before recording them.
ECM

Originally published on Sun February 12, 2012 12:51 pm

What's the saying — the more things change, the more they stay the same? It seems that's how it goes in the ways we make music. MIT futurologist Tod Machover rethinks traditional instruments, coming up with new things like the hyperpiano; Pianist Michael Chertock gives it a go in an explosive excerpt below.

Read more
News & Views
7:14 am
Mon March 12, 2012

Handel's MESSIAH at the Ballet

Philadelphia, PA – WRTI's Susan Lewis considers George Frideric Handel's iconic 18th-century oratorio and its interpretation in dance as the Pennsylvania Ballet presents choreographer Robert Weiss' MESSIAH, set to the music of Handel. The final performances of MESSIAH, at the Academy of Music, are on March 17th.

Read more
Creatively Speaking
2:42 pm
Thu December 8, 2011

Pianist Christian Zacharias--Flutist Joshua Smith--A Look at Handel's MESSIAH

Christian Zacharias

Jim Cotter speaks with the renowned German pianist Christian Zacharias.

David Patrick Stearns profiles Joshua Smith as the principal flute of The Cleveland Orchestra prepares for a Philadelphia recital.

And Susan Lewis considers the history and continued vitality of Handel's Messiah.

More Information:

Read more