George Crumb

Taking Leave of 2014

Dec 26, 2014

The sun turns and we anticipate a new year on Now Is the Time, Saturday, December 27th at 9 pm. Stephen Hartke based The King of the Sun on a Joan Miró painting, itself inspired by a much older Dutch painting by Jan Steen. Chris Campbell finds sounds and creates sounds electronically in Sunface Streams Moonface. Amplified piano and soprano join in five settings of Federico García Lorca by George Crumb; he calls his Spanish Songbook II Sun and Shadow.

Nancy Galbraith features electric Baroque flute and electric cello in Traverso Mistico, and from a live recording we'll hear the exquisite middle movement, "The Joy of Sadness." And to say goodbye to the old year we'll look to one of the piano rags of Brian Dykstra's, Taking Leave.

New music hears old tunes on Now Is the Time, Saturday, July 26th at 9 pm at and WRTI-HD2. George Crumb has a way—like no one else—of investing the simplest gesture with mystery and grandeur. He fills his seventh American Song Book, Voices from the Heartland, with these touches of wonder assembled in these hymns, spirituals, folk songs, and American Indian chants. Soprano Ann Crumb and baritone Patrick Mason are accompanied by Orchestra 2001, conducted by James Freeman.

Beginning the show, there's just time enough to hear a movement from David Amram's Violin Concerto. His Celtic Rondo breathes the air of long ago from another place, or maybe he hears the spirits of ancestors from any place. Charles Castleman is the soloist.

Music for Four Hands

Jan 24, 2014

It's music for different duos on Now Is the Time, Saturday, January 25th at 9 pm Eastern on the all-classical stream at and WRTI-HD2. Charles Knox's Suite for Piano Four-Hands is puckish and not a little bold: its six movements take four minutes to play, and include an "Etude" that lasts all of six seconds. Chen Yi channels, for two violins and strings, two ancient Chinese instruments in her Romance of Hsiao and Ch’in, and George Crumb, in his Otherworldly Resonances for two amplified pianos, honors, in the "Palimpsest" movement, old manuscripts that have been erased and written over (and quotes the Gospel song "Bringing in the Sheaves").

Van Stiefel sets poetry of Sidney Lanier for voice and two electric guitars in Souls and Raindrops, and Ursula Mamlok's brilliant Sonatina is for two clarinets. Lance Hulme composed Manic Music, he said, for "two maniacal pianists," and the playing seems to demand a certain craziness, as cavalier as you can be while staying in step with your duo partner.