Bach’s St. Matthew Passion, is a monumental oratorio that fell into obscurity for decades after Bach's death in 1750. Composer Felix Mendelssohn's production of the work in 1829 helped spark the modern Bach revival. Susan Lewis considers Bach’s life and work.
Temple University Music Professor Steven Zohn speaks with Susan Lewis about Bach’s life.
For decades, musicians have struggled to determine what J.S. Bach sounded like in his own time. As The Philadelphia Inquirer's David Patrick Stearns reports, The Mendelssohn Club of Philadelphia is turning the clock in a different direction on February 8th at Girard College, determining what Bach sounded like in the time of...Mendelssohn.
German composer, performer, and conductor Felix Mendelssohn would have turned 204 on February 3rd. While he was acclaimed during his short life of 38 years, only a fraction of his works continued to be performed after his death. WRTI’s Susan Lewis looks at Mendelssohn and his musical impact.
Lewis: His violin concerto is one of the works that survived the centuries. Yet his contributions to music, says Mendelssohn biographer R. Larry Todd, were much more significant than many people realize:
Todd: He was, of course, one of the great pianists of his age, arguably the leading organist of the entire century. He was also – it’s not well known - a violinist and violist. He could pick up a part in his own octet and play that, and of course he was one of the seminal conductors of the 19th century. He was one of the first conductors to conduct using a baton.
Susan Lewis talks with R. Larry Todd about the genius of Mendelssohn.
Lewis: Mendelssohn’s performance of the St. Matthew Passion at its 100th anniversary in 1827 helped spark the 20th-century Bach revival, says Philadelphia Singers Music Director David Hayes.
Hayes: Most people thought Bach was a composer you studied – he was an intellectual composer. The idea of performing Bach, was, sort of, you know, crazy. Why would you perform Bach? But Mendelssohn was the first to really turn around and say, hey, these great works of Bach - the St. Matthew Passion –we should perform these works.
Lewis: Mendelssohn’s own compositions included symphonies, concert overtures, concertos, chamber music, choral works, piano and organ music, and songs. But Todd says that after Mendelssohn died, much of this music was not performed due to anti-Semitism and changing musical tastes.
Mendelssohn scholar R. Larry Todd and Philadelphia Singers Music Director David Hayes speak with WRTI's Susan Lewis about the long-neglected music of German composer Felix Mendelssohn and his sister, Fanny Mendelssohn Hensel.
A conversation with violinist Leila Josefowicz. The MacArthur Fellowship (so-called Genius Award) recipient speaks with Jim Cotter about her new role as artist-in-residence with the Philadelphia Orchestra.
Susan Lewis considers lesser-known works of 19th-century composers Felix Mendelssohn and his sister Fanny Hensel as the Philadelphia Singers prepares a weekend concert In Rittenhouse Square exploring the influence of J.S. Bach on the two siblings.