Islands and dances and flutes seem to float on Now Is the Time, Saturday, July 19th at 9 pm at wrti.org and WRTI-HD2. Haiku of Basho inspired Edie Hill's This Floating World for solo flute; Elena Ruehr's The Law of Floating Objects is for one flutist multiplied many times. An excerpt from A Floating Island is Matthew Greenbaum's chamber opera on an episode from Gulliver's Travels by Jonathan Swift, where some are so lost in thought they don't see what's right in front of them.
The Habanera makes us think of Cuba and islands (okay, it's a stretch), and we find one in 5 Pages from John's Book of Alleged Dances by John Adams. Robert Ackerman improvises Havana Special, clarinet and bass, and there's just enough time for an Ackerman encore, Scena.
Singing can be vocal or instrumental on Now Is the Time, Saturday, June 7th at 9 pm at wrti.org and WRTI-HD2. A tribute to a family, carved in cemetery marble, is the choral Notturno in Weiss (Nocturne in White) by Robert Moran. Joseph Hallman's Three Poems of Jessica Hornik uses voice with an expanded chamber ensemble, while Anthony Iannaccone selects a solo piano for his Song without Words.
An Uruguayan legend or Leyenda comes from Sergio Cervetti for voice and orchestra, and from her ten-year-old daughter's poem about a Cape Cod berry-picking excursion, Elena Ruehr creates the all-instrumental Blackberries.
Mischievous, menacing, or minuetting, it's dancing on Now Is the Time, Saturday, December 7th at 9 pm—our new time, every Saturday night at 9 on WRTI-HD2 and the all-classical stream at wrti.org.
From her CD How She Danced comes Elena Ruehr's String Quartet No. 4. It includes, as do her other quartets, a dance—in this case, a minuet—among the four movements. There is always much going on beneath the surface of her music, but whether it's mathematics or literature, what we always hear is a focus on beautiful sound. Saxophone and clarinet comprise the sounding beauties of Perry Goldstein's Mischief. It pirouettes, dips, and delights on its way, and is over before we know it. We want to hear more.
Wanting more, desiring the other, and death are elements of opera; Daron Hagen brings them all together, to violent effect, in Bandanna, set on the U.S./Mexico border in the 1960s. Immigrants, law corrupted, and jealousy combine in this finely wrought yet roiling tragedy. We'll hear much of Act Two, where misunderstandings and machinations during a wedding dance propel the drama toward its conclusion.
from Matthew H. Fields: Simchas, from Sages of Chelm
Stories of suffering and joy define our culture on Now Is the Time, Sunday, June 30th at 10 pm. Elena Ruehr’s Averno sets the poetry of Pulitzer-winning Louise Glück, the 2003-04 U.S. Poet Laureate. The door to the underworld in Roman myth is at Lake Averno or Avernus. Averno the cantata explores cycles of death and growth in the story of Demeter’s daughter Persephone and her abduction by Hades.
Chelm in Poland is the venue for countless tales of Jewish humor, such as the man who leaves for a new city, gets turned around during the night, and walks back to his hometown thinking it’s a new place. There are three sections to Sages of Chelm by Matthew H. Fields; we’ll have time to hear the last. Following I. Khutzpah and II. Tsores (“Troubles”), we’ll listen to the happy resolution in Simchas, which means “Joy.”