Duke Ellington

This Song Re-Charged Duke Ellington's Career

By • Apr 23, 2017

In 1956, a groundbreaking performance at the Newport Jazz Festival changed the course of Duke Ellington's path in jazz. WRTI’s Susan Lewis has more. 


The Continuing Voice of the Monterey Jazz Festival

By • Apr 2, 2017
Jerry Stoll / Monterey Jazz Festival

You won’t find a blue-ribbon pie at this northern California fairground this weekend. But the place will be filled with multiple stages and wall-to-wall music. Here's Meridee Duddleston's take on the Monterey Jazz Festival.

WRTI's Essential Jazz Artist No. 6: Duke Ellington

By WRTI Staff • Feb 3, 2017

There are not enough letter O's in smooth when you’re talking about the Duke. Ellington was elegance personified. This band leader was refined in everything—from how he dressed, to his compositions, to his playing, to his connection with audiences. But no matter how smooth his manner or refined his looks, it all came down to one thing—“It Don’t Mean a Thing (If It Ain’t Got That Swing).” And boy did Ellington swing.

Duke Ellington: The Influential, Elegant Genius

By • Dec 19, 2016

This month in 1927, Duke Ellington’s orchestra opened at New York’s Cotton Club. As WRTI’s Susan Lewis reports, it was a gig that would fire up Ellington’s career and change the way people thought about jazz. Terry Teachout's Duke: A Life of Duke Ellington is published by Gotham Books.

Jazz Night in America on WRTI: Billy Strayhorn's Lush Life, Nov. 6th at 8 PM

By Suraya Mohamad • Nov 4, 2016
Credit: William Gottlieb / Adam Cuerden

The fruitful collaboration between Billy Strayhorn and Duke Ellington is widely known to have brought us such classics as "Take The 'A' Train," "Chelsea Bridge" and "Isfahan." But behind the music, Strayhorn's life and identity were complex.

That Highly Distinctive Sound of Duke Ellington and His Band

By • Apr 4, 2016

It's Jazz Appreciation Month, and WRTI is celebrating the local and national jazz greats who have shaped the music we enjoy today. WRTI's Susan Lewis looks at bandleader, composer and pianist Duke Ellington, who wrote over 1700 songs, as well as longer orchestral suites and film scores.

100 Years Of Billy Strayhorn, Emotional Architect Of Song

By Tom Vitale • Nov 29, 2015

In 1964, near the end of his career, Billy Strayhorn accompanied himself on a live recording of one of his best-known songs. It starts:

I used to visit all the very gay places

Those come-what-may places

Billy Strayhorn In Five Songs

By editor • Nov 29, 2015

Did the Cabaret Tax Kill Big Bands?

By • Feb 19, 2015

In 1944 big dance bands were all the rage. They were so popular that to gain additional revenue for World War II, the federal government enforced a 30 percent "cabaret tax" on the gross receipts of any "public place where music and dancing privileges... except instrumental or mechanical music alone, are afforded the patrons in connection with the serving or selling of food, refreshment, or merchandise."

Uncovered and More on Now Is the Time

By • Oct 3, 2014

Classical covers pop on Now Is the Time, Saturday, October 4th at 9 pm at wrti.org and WRTI-HD2. Cellist Maya Beiser's new CD Uncovered ranges over the landscape of hits with aggressive yet nuanced playing. The arrangements are by composer Evan Ziporyn; Led Zeppelin's Kashmir and Nirvana's Lithium get a workout here. Michael Daugherty brings a high-powered wind band to the house for Motown Metal.

The string quartet has its say in two works. Paul Schoenfeld imagined, in Four Music Videos, what MTV was all about, having admitted he'd never watched it, and creates magic. Jeremy Cohen's arrangement of Duke Ellington's The Mooche for his Quartet San Francisco makes you feel that the Duke wrote this just for them. Those slinky chords are so etched in our minds, all composers must wish they'd thought of them first.

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