Composer Santa Ratniece speaks with The Philadelphia Inquirer's David Patrick Stearns.
Donald Nally conducts the first in a three-concert series recorded live in June. The Gulf (between you and me), a major project that has taken years of planning, brings together composers, a poet, an artist, and a variety of musicians from Japan and America to join The Crossing in exploring a particular theme: how we seem to hear what the earth is saying to us with the same, sad inability with which we often listen to those we most love.
Tune in on Sunday, July 14 at 4 pm to hear the first concert in the series, recorded June 15th at the Philadelphia Episcopal Cathedral.
And did you catch The Crossing's performance with The Rolling Stones on June 23rd?
July 14 Program: Gene Coleman: Water of the Last Moment (world premiere) Santa Ratniece: Chu Dal (Silent Water, 2008) Tamar Diesendruck: Other Floods (2010)
With special guests Toshimaru Nakamura& Ko Ishikawa
Philadelphia composer Gene Coleman’s musical language is at times experimental, at other times minimal, often drawing on Japanese influences, improvisation, extended techniques, and Gene’s interest in architecture and structure to create a rich and unique sound world.
Composer Santa Ratniece has recently become one of the most important female composers in Latvia, creating some of the richest landscapes in choral music. Her works describe the deepest lakes, the bluest skies, the quietest plains in a kaleidoscope of sounds that both connects us to the subject and magnifies our distance from it.
Composer Tamar Diesendruck offers a transparent view of deconstructionism. Her setting of Giuseppe Ungaretti’sbrief words moves from a fragmented landscape to a lush harmonic fullness as the words themselves fall together to reveal, ”I am illumined by immensity."
Listen on Sunday, April 14th, 4 to 6 pm, as The Crossing chamber choir sings the broadcast premiere of Thomas Lloyd's concert-length work, Bonhoeffer. The concert was recorded at the Philadelphia Episcopal Cathedral this past March.
The Crossing, conducted by Donald Nally and known for their innovation and commitment to new music, premiere's a work by composer Francis Pott commissioned for the opening concert of the National Conference of the Association of Anglican Musicians.
This is the second broadcast in The Crossing's Month of Moderns series, featuring a world-premiere collaboration with Network for New Music. The 2000 Pulitzer Prize-winner Lewis Spratlan composed a concert-length work for The Crossing; Hesperus is Phosphorus loosely takes the form of a kind of secular vespers – a passage, or crossing, through the philosophical and spiritual canyons of our time. Drawing on the words of American poets, playwrights, and physicists, Spratlan’s music explores growth and loss in our ever-expanding world of discovery.
On Sunday, May 27th, from 3 to 5 pm, THE CROSSING choir will be on the air - bringing you the first concert in their 2012 Month of Moderns summer festival.
Donald Nally leads the acclaimed virtuoso choir in Vermillion Vespers, a new work by Haverford College Professor of Music Curt Cacioppo. It's a significant addition to the limited repertoire of concert-length works for choir and organ.
Be sure to join us from 3 to 5 pm on Sunday, January 22nd for a special treat - concert broadcasts of the 24-voice chamber choir The Crossing, led by Donald Nally. This month, you'll hear performances of Kile Smith's Vespers (with Piffaro, the Renaissance wind band), Where Flames a Word, and The Waking Sun (with Tempesta di Mare).
All three of these performances were recorded at the Presbyterian Church of Chestnut Hill in Philadelphia.