There's the unlikeliest motion on Now Is the Time, Sunday, October 6th at 10 pm. Kristjan Järvi conducts a live, rip-snortin' Roadrunner, a movement from the Chamber Symphony of John Adams. Singer-songwriter Gillian Welch's dark-edged Americana is on beautiful display in My Morphine, especially in this atomized arrangement by William Anderson of the Anderson-Fader guitar duo.
That leads nicely into the saxophone-and-piano Sleep Without Dreams, a lyrical work of Michael Jon Fink, and Dmitri Tymoczko's early string quartet This Picture Seems to Move. Andy Teirstein somehow combines into a piano trio Old West saloonery and the ecstatic mysticism of the dancing Rebbe, Baal Shem Tov, in Turn Me Loose.
Finally, for solo piano, is Terry Riley's answer to Sarah Cahill's request for music about either war or peace. He was "noodling around" on the piano one night, and his grandchildren asked him to keep playing this one bit. He did; it became Be Kind to One Another (Rag).
We travel far and wide on Now Is the Time, Sunday, September 8th at 10 pm, starting with Another Fantastic Voyage, a piano concerto by Dmitri Tymoczko. With tongue in cheek, Tymoczko skillfully performs pop exegesis on generic myths—knights on a king’s mission, for instance, or a campy Night on Bald Mountain—where everything turns out horribly wrong.
David Toub wrote mf originally for brass, but then arranged it for string quartet, a far but convincing leap for this homage to Morton Feldman (mf), all played at mezzo-forte (mf). Insistent, Playful, and Doleful are the movements in Richard Wilson’s limber Affirmations, a colorful jaunt for a mixed chamber ensemble of flute, clarinet, violin, cello, and piano.