DAVID PATRICK STEARNS

David Patrick Stearns


Jan Regan/The Philadelphia Orchestra


Jan Regan/The Philadelphia Orchestra

With the challenges of pro-Palestinian protests facing the Philadelphia Orchestra’s 2018 Tour of Europe and Israel, could anybody have foreseen the latest obstacle? Displacement from the tour hotel by Vladimir Putin?



Jan Regan / Philadelphia Orchestra

The Philadelphia Orchestra is back from its debut in Mongolia, where planned full-orchestra concerts needed to be canceled due to a nation-wide financial crisis. Instead, a contingent of 18 musicians spent two days in the capital city of Ulaanbaatar. Now, the Philadelphia Inquirer's David Patrick Stearns asks what this could lead to.

An 18-member contingent from the Philadelphia Orchestra is going to Mongolia June 2nd through the 4th. The Philadelphia Inquirer’s David Patrick Stearns reports on the preparations as part of its Far East tour to China and South Korea.


Credit: Jonathan Tichler/Metropolitan Opera, 2017

Yannick Nézet-Séguin has been entering the Metropolitan Opera through the backstage artists' entrance for years, though now it’s different: He’s now among those who run the place. The Philadelphia Inquirer’s David Patrick Stearns met him there prior to his April to May run of Wagner’s Flying Dutchman.

In an era when everything musical is available all the time, I'm still puzzling why I ordered an overwhelmingly large box set of recordings by the French chanteuse Edith Piaf.

Few inventions were as complicated as the atomic bomb. But the Philadelphia Inquirer’s David Patrick Stearns discovered that Curtis Opera Theatre’s production of the John Adams opera Doctor Atomic couldn't be simpler—or more provocative.

Pages