In the 1870’s, Tchaikovsky composed such large scale works as Swan Lake, Symphonies 2, 3, and 4, and Variations on a Roccoco Theme. But, as WRTI’s Susan Lewis reports, in the same years, he was also writing short orchestral pieces, with emotional power and technical virtuosity. She discusses two of these pieces, Serenade Melancolique and Valse-Scherzo, with Philadelphia Orchestra concertmaster, David Kim.
Join us on Sunday, July 27th at 1 pm for a Philadelphia Orchestra in Concert re-broadcast of a Verizon Hall performance first heard last December, and offering two delightful pieces by Tchaikovsky that feature Concertmaster David Kim as soloist: the Serenade Melancholique, and Valse-Scherzo - both personally meaningful works to Mr. Kim, who was the only American awarded a prize at the 1986 quadrennial Tchaikovsky Competition in Moscow.
Listen to WRTI 90.1 FM at 1 pm on Sunday for a special archival Philadelphia Orchestra in Concert broadcast from February 19, 2005. On the podium is the Orchestra’s former Music Director Wolfgang Sawallisch, just 2 weeks before his last appearance with the Philadelphians.
On the program that day were Hindemith’s Concert Music for Strings and Brass, Tchaikovsky’s Violin Concerto in D, played brilliantly by the Orchestra's Concertmaster David Kim, and Beethoven’s Symphony No. 1 - all works that were special to the late Maestro.
Venerated conductor Christoph von Dohnányi conducts the music of two Viennese masters this Sunday, July 21st at 2 pm, in a Philadelphia Orchestra concert from last March at Verizon Hall.
Franz Schubert's beloved "Unfinished" Symphony has taken a rightful place among the standards of the repertoire, even if we may never understand why he abandoned the work after just two enduring movements. And Anton Bruckner's Symphony No. 4, "Romantic," was his first great symphonic success, a breathtaking work that inspires audiences every time it's performed.
Composed 52 years apart, the two works are tailor-made for the dense, glorious string sound of The Fabulous Philadelphians.
Christoph von Dohnanyi talks about the works at Intermission with WRTI's Jim Cotter. Also, during Intermission, WRTI's Susan Lewis discusses the importance of the conductor's approach when performing these two works with Philadelphia Orchestra Concertmaster David Kim.
It's Viennese Masters with The Philadelphia Orchestra, this Sunday from 2 to 4 pm. Gregg Whiteside is host and producer.
WRTI’s concert broadcast of The Philadelphia Orchestra on Sunday, July 21, 2013 features the music of two Romantic Viennese masters. WRTI’s Susan Lewis talks with concertmaster David Kim about how the symphonies of Franz Schubert and Anton Bruckner bring out the famous Philadelphia sound, and about the interpretation of guest conductor Christoph von Dohnanyi.
Listen to this Sunday’s WRTI concert broadcast of The Philadelphia Orchestra at 2 pm, which will include an interview at Intermission with concertmaster David Kim.
Listen on Sunday, April 14, 2 to 4 pm to two works, composed 52 years apart, that are tailor-made for the dense, glorious string sound of The Fabulous Philadelphians: Franz Schubert's Symphony No. 8 in B minor, also known as the "Unfinished Symphony," and Anton Bruckner's Symphony No. 4, "Romantic."
WRTI’s concert broadcast of The Philadelphia Orchestra on Sunday, April 14th features the music of two Romantic Viennese masters. WRTI’s Susan Lewis talks with concertmaster David Kim about how the symphonies of Franz Schubert and Anton Bruckner bring out the famous Philadelphia sound, and about the interpretation of guest conductor Christoph von Dohnanyi.
Listen to this Sunday’s WRTI concert broadcast of The Philadelphia Orchestra, which will include an interview at Intermission with concertmaster David Kim.
Today, orchestra audiences know the concertmaster as the violinist who precedes the conductor onstage, and helps the orchestra tune – a sign that the concert is about to begin. WRTI’s Susan Lewis discovered that the position carried duties both onstage and off.
LEWIS: The concertmaster is foremost the first chair of the first violins, a section that often carries the melody. Philadelphia Orchestra Concertmaster David Kim says his musical duties include setting bowing patterns for the strings.
KIM: Let me use the slow movement of Mozart’s Eine Kleine Nachtmusic. First I’m going to use a long bow and try to capture as many notes as I can without changing the bow. If I decided, okay, well, I think we need more bow so I’m going to have us change bow - the direction that we change the bow - many times. Then suddenly it will sound like I’m singer. Here’s one that I’m breaking the bow as it were.
LEWIS: There are plenty of nonmusical duties as well. On a typical day, Kim checks in with the conductor before they start rehearsal.
KIM: If it’s Yannick, go in and say hello, anything Maestro, last second, that you need to talk about? If it's a guest conductor, welcome them to town; do they need a restaurant recommendation? Do they need to know where to buy concert socks? Just anything, please depend on their concertmaster.
LEWIS: Kim serves as liason between the conductor and members of the Orchestra. He makes public appearances on behalf of the Orchestra, and the music director, if he is not available.
Listeners may not think about the visuals in an orchestra concert, but body language is an important way in which musicians communicate with one another. From his chair, Philadelphia Orchestra Concertmaster David Kim leads Mozart’s Serenade in G Major: Eine Kleine Nachtmusik the way it would have been done in Mozart’s time, without a conductor, on January 10th, 11th, and 12th in concerts at the Kimmel Center.
Philadelphia Orchestra Concertmaster David Kim and Principal Timpani Don Liuzzi speak with WRTI's Jim Cotter as the ensemble embarks on a new type of overseas excursion. While still featuring traditional concert performances in Beijing, Tianjin, Guangzhou, and Shanghai, the Orchestra's 2012 Residency Week and Tour of China will place a greater emphasis on community engagement.