This Sunday on WRTI, Carl Orff's iconic Carmina burana headlines a program that also features The Philadelphia Orchestra's Principal Trumpet David Bilger in a performance of Hummel's beloved Trumpet Concerto, as well as Haydn's rarely performed Symphony No. 1. Sunday, March 17, 2 to 4 pm.
Guest Conductor Rafael Fruehbeck de Bourgos, who knew Carl Orff and gave the first performance of Carmina burana in Spain, will direct The Philadelphia Orchestra, the Philadelphia Singers, the American Boychoir, and soloists in this authoritative performance from February at the Kimmel Center's Verizon Hall.
Orff's raucous retelling of 24 medieval poems praises springtime, love, lust, and fortune. It requires a huge orchestra and a chorus singing a mix of old languages. The riveting choral refrains of "O Fortuna" open and close Carmina burana. While many sections of this iconic work have been re-used in movies and commercials, nothing equals the power when you hear this live, in its entirety.
PROGRAM: HAYDN: Symphony No. 1 in D major I. Presto II. Andante III. Finale: Presto
HUMMEL: Trumpet Concerto in E major I. Allegro con spirito II. Andante III. Rondo
Intermission, featuring a conversation with Maestro Fruehbeck
ORFF: Carmina burana Erin Morley: Soprano Nicholas Phan: Tenor Hugh Russell: Baritone The Philadelphia Singers Chorale David Hayes, Music Director The American Boychoir Fernando Malvar-Ruiz, Music Director
While there are many concertos for string instruments, fewer works exist for woodwinds, brass or percussion. Yet, as Susan Lewis reports, a previously under-performed work for trumpet from the early 19th century became part of the standard repertoire in the second half of the 20th.
WRTI's Susan Lewis speaks with The Philadelphia Orchestra's principal flute, Jeffrey Khaner; principal clarinet, Ricardo Morales; and principal trumpet, David Bilger about their new online teaching venture.
Classical music is a complex art form, and learning an instrument well takes not only talent but many hours, days, and years of lessons and practice. While the talent necessary to play an orchestral instrument hasn’t changed much over the years, today, Internet and video technology are offering new ways of teaching and learning an instrument, with the potential to connect large numbers of students with some of the best musicians in the world.