It’s all whispers and shadows on Now Is the Time, Saturday, February 28th at 9 pm. Deliciously riffing on Shakespeare takes us to where comedy, tears, and romance meet, in Daron Hagen’s Much Ado for orchestra. JG Thirlwell produces sweeping cinematic drama in his Brooklyn studio with 10 Ton Shadow, and the glorious sounds of Chanticleer revolve William Byrd around Walt Whitman’s “Whispers of Heavenly Death” in Whispers by Steven Stucky.
The Boston Modern Orchestra Project performs Lewis Spratlan’s Apollo and Daphne Variations, an extensive metamorphosis on the myth of change to escape predation. Carleton Macy closes the program with Elusive Dreams for saxophone quartet.
from Rick Sowash: Guitar Suite: For an Old Friend at Christmas
We're counting down the days on Now Is the Time, Saturday, December 20th at 9 pm. Less Than a Week Before Christmas is David Golub's work for chorus and orchestra: about the cold, about a friend. Morten Lauridsen contemplates the wonder of animals at the nativity manger in one of our time's most-sung pieces, O Magnum Mysterium.
Composer Jennifer Higdon becomes her own poet for Deep in the Night, pondering "this season of love with full brilliant lights." Daron Hagen combines two melodies we recognize with a beautiful one we don't—because he just wrote it—in a work for choir with cello, At Bethlehem Proper. Rounding out the choral works on the program is While All Things Were in Quiet Silence by Ned Rorem.
Two instrumental works find their way in, though. Advent has the same feeling that imbues Yearning, the lovely work for violin and strings by Shulamit Ran, dedicated to Yehudi Menuhin. For solo guitar is the suite of Rick Sowash, helping us count down the days, For an Old Friend at Christmas.
It's faith of all kinds in the midst of Christmas on Now Is the Time, Saturday, December 28th at 9 pm—our new time, every Saturday night at 9 on WRTI-HD2 and the all-classical stream at wrti.org. Daron Hagen uses choir and cello lovingly to explore traditional carols in new ways, with Once in Royal David's City and the Sussex Carol. Then, the sparkling Now Ensemble brings transformations to life in David Crowell's Waiting in the Rain for Snow.
Mischievous, menacing, or minuetting, it's dancing on Now Is the Time, Saturday, December 7th at 9 pm—our new time, every Saturday night at 9 on WRTI-HD2 and the all-classical stream at wrti.org.
From her CD How She Danced comes Elena Ruehr's String Quartet No. 4. It includes, as do her other quartets, a dance—in this case, a minuet—among the four movements. There is always much going on beneath the surface of her music, but whether it's mathematics or literature, what we always hear is a focus on beautiful sound. Saxophone and clarinet comprise the sounding beauties of Perry Goldstein's Mischief. It pirouettes, dips, and delights on its way, and is over before we know it. We want to hear more.
Wanting more, desiring the other, and death are elements of opera; Daron Hagen brings them all together, to violent effect, in Bandanna, set on the U.S./Mexico border in the 1960s. Immigrants, law corrupted, and jealousy combine in this finely wrought yet roiling tragedy. We'll hear much of Act Two, where misunderstandings and machinations during a wedding dance propel the drama toward its conclusion.
From Daron Hagen: Piano Trio No. 3, "Wayfaring Stranger"
We travel over different paths on Now is the Time, Sunday, November 18th at 10 pm. Sebastian Currier's Static, the 2007 Grawemeyer Award winner, illuminates the two meanings of the title, from stillness to electricity. Saxophonist and composer Mark Engebretson evokes fresh and engaging melodic inventions in SaxMax.
Daron Hagen walks us from grief to a bright land in the piano trio he calls Wayfaring Stranger.