Daniel Matsukawa

Jessica Griffin

Hollywood may have typecast the bassoon as comedic star, but Philadelphia Orchestra Principal Bassoon Daniel Matsukawa fills us in on the instrument’s great lyrical expressiveness. WRTI's Susan Lewis has the story.

Wolfgang Amadeus Mozart. Credit: By Anonymous, possibly by Pietro Antonio Lorenzoni (1721-1782) [Public domain], via Wikimedia Commons

WRTI's Philadelphia Orchestra in Concert broadcast this Sunday, February 26, from 1 to 3 pm, celebrates Wolfgang Amadeus Mozart—the prodigy, and the master, with performances of his First Symphony, written at age eight, and his final one, the 41st Symphony​, composed a quarter century later.

Many great composers in history wrote for the bassoon. But in the last 70 years or so, the instrument has often been associated with one particular bouncy melody from a classic animated film. As WRTI’s Susan Lewis reports, a recent premiere reminds us of the bassoon’s lyrical beauty.

On Sunday September 28, 2014, on WRTI, Daniel Matsukawa and The Philadelphia Orchestra perform David Ludwig’s Pictures from the Floating World.

Classical serenades by chamber ensembles were often light, outdoor entertainment in late 18th-century Vienna. As WRTI’s Susan Lewis reports, this week’s WRTI concert broadcast of the Philadelphia Orchestra features one of the more ambitious creations in the genre.

Jim Cotter speaks with The Philadelphia Orchestra's Principal Bassoon Daniel Matsukawa. He's the soloist this week for performances of Mozart's Bassoon Concerto at the Kimmel Center.

Susan Lewis considers performances of Bach's Brandenburg Concertos by Tempesta di Mare, the Philadelphia-based Baroque orchestra.

Jason Peifer explores Philadelphia's Swedish origins with a visit to the American Swedish Historical Museum.

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