Music lives, as it has for decades, on Philadelphia’s Rittenhouse Square. And now - as the Curtis Institute of Music works with a company that distributes free classes through the Internet - world-class instruction will be available throughout the world. As WRTI’s Susan Lewis reports, the renowned conservatory is offering two pilot classes to audiences everywhere a computer and Internet access can be found. Coursera is making this happen.
Exploring Beethoven’s Piano Sonatas launches September 3rd. From the Repertoire: Western Music History through Performance, launches October 1st .
Listen to Susan's interview with pianist Jonathan Biss about his course, Exploring Beethoven's Piano Sonatas, which launches September 3, 2013.
Classical music soloists must spend a lot of time practicing their instruments. But some stars are connecting with fans in ways beyond the concert hall. WRTI’s Susan Lewis spoke with pianist Jonathan Biss and violinist Hilary Hahn.
WRTI's Philadelphia Orchestra concert broadcast on May 26th featured Jonathan Biss playing Mozart's Piano Concerto No. 13. On June 2nd, WRTI's concert broadcast of The Philadelphia Orchestra includes Hilary Hahn playing Korngold's Violin Concerto.
Jonathan Biss discusses his activities beyond the concert hall with WRTI's Susan Lewis.
Once ignored by conservatories and reviled by audiences, Schoenberg’s half-spoken, half-sung Pierrot Lunaire is being intensively rehearsed for performances by Curtis Institute of Music musicians on Monday and Tuesday of next week (April 15th and 16th).
As The Philadelphia Inquirer’s David Patrick Stearns reports, the instigators are visiting professors who don’t look much different from the students: the modern music ensemble eighth blackbird, who are in the first year of a three-year residency that should extend the Curtis tradition to the cutting edge.
Listen to an extended version of David Patrick Stearns' report on eighth blackbird's residency at the Curtis Institute of Music.
Founded in 1924, the Curtis Institute of Music trains exceptionally gifted young musicians from every corner of the world. WRTI's Susan Lewis profiles this influential conservatory, located on Rittenhouse Square in Center City, Philadelphia, and looks at how it's preparing students to become leaders in the high-tech 21st century.
Jim Cotter speaks with Peter Richard Conte, the Grand Court Organist of the Wanamaker Organ. Conte is the soloist in a concert with the Symphony in C orchestra, which is part of the organ's centennial celebration.
Susan Lewis profiles the Curtis Institute of Music, a vanguard in the training of classical musicians since 1924.
David Patrick Stearns takes us to where East Meets West - a concert series by the Renaissance wind band Piffaro.
Susan Lewis considers why Chopin's music appeals to ballet choreographers, as Pennsylvania Ballet stages a trio of works on March 13 and 14, 2010 to celebrate the 200th anniversary of the 19th-century composer's birth.
As part of celebrations of Samuel Barber's centenary, David Patrick Stearns looks ahead to performances of Antony and Cleopatra by the Curtis Opera Theatre.
Music Director of The Academy of Vocal Arts since 1977, Maestro Macatsoris began his conducting career in Italy at the Conservatory in Milan. He went on to study conducting privately with such famed maestri as Fausto Cleva, Max Rudolf, and Tullio Serafin, and studied composition with Vincent Persichetti. Among his many performance credits are appearances with Philadelphia Lyric Opera Company, Pennsylvania Opera Company, San Francisco Opera Center, and numerous regional opera companies.