Though planned for years, the Dec. 5th concert by The Crossing and Al-Bustan Seeds of Culture's Takht Ensemble at Bryn Mawr College presents new music by Syrian composers right at a time when their homeland is in civil war. However, the Philadelphia Inquirer's David Patrick Stearns reports that the music isn't about current strife, but earlier, more peaceful times.
This Sunday, September 27 from 4 to 6 pm, join us for the third and final concert in The Crossing chamber choir's Seventh Annual Month of Moderns (MoM) Festival, recorded live on Saturday, June 27, 2015 at The Presbyterian Church of Chestnut Hill . Listen at WRTI 90.1 FM or one of our other frequencies in PA, NJ, and DE, or online at WRTI.org
Donald Nally conducts The Crossing in the first of three concerts, comprising their Seventh Annual Month of Moderns Festival. This performance, "Only memory of forgetting," features the premiere of Joel Puckett's I enter the earth, which sets the words of a !Kung shaman describing the dance trance of a healing ritual. The choir is joined by Laura Ward on piano and Michael Jones on trumpet.
WRTI's Mark Pinto, host of the Classical New Releases show, fills you in on the latest and the greatest classical music CDsevery Saturday at 5 pm.Here are five newly released recordings he recommends:
Sokolov: The Salzburg Recital. Though celebrated for the breadth of his repertoire, epic interpretations, and boundless imagination, Russian-born pianist Grigory Sokolov has become something of a living legend and a well-kept secret in America.
Join us on Sunday, November 23rd at 3 pm for a concert broadcast by The Crossing chamber choir, led by Music Director Donald Nally, and recorded in October at the Church of the Holy Trinity, Rittenhouse Square.
Join us Sunday, October 5th at 3:30 pm for The Crossingchamber choir's third and final concert in their Sixth Annual Month of Moderns Festival, recorded live at The Icebox at Crane Arts Center in the Northern Liberties section of Philadelphia.
Jeffrey Dinsmore, co-founder and integral member of the Philadelphia choral ensemble The Crossing, died suddenly on April 14th in Los Angeles at age 42. The Crossing's conductor Donald Nally sent out this email message (below) about Jeff's passing. This is such a sad loss for Jeff's family and loved ones, and for everyone in Philadelphia's choral community.
This Sunday on WRTI, The Crossing Choir performs the American premiere of a major work from the composer John Luther Adams. Canticles of the Holy Wind is a multi-movement, concert-length work of breadth and depth.
Composer Santa Ratniece speaks with The Philadelphia Inquirer's David Patrick Stearns.
Donald Nally conducts the first in a three-concert series recorded live in June. The Gulf (between you and me), a major project that has taken years of planning, brings together composers, a poet, an artist, and a variety of musicians from Japan and America to join The Crossing in exploring a particular theme: how we seem to hear what the earth is saying to us with the same, sad inability with which we often listen to those we most love.
Tune in on Sunday, July 14 at 4 pm to hear the first concert in the series, recorded June 15th at the Philadelphia Episcopal Cathedral.
And did you catch The Crossing's performance with The Rolling Stones on June 23rd?
July 14 Program: Gene Coleman: Water of the Last Moment (world premiere) Santa Ratniece: Chu Dal (Silent Water, 2008) Tamar Diesendruck: Other Floods (2010)
With special guests Toshimaru Nakamura& Ko Ishikawa
Philadelphia composer Gene Coleman’s musical language is at times experimental, at other times minimal, often drawing on Japanese influences, improvisation, extended techniques, and Gene’s interest in architecture and structure to create a rich and unique sound world.
Composer Santa Ratniece has recently become one of the most important female composers in Latvia, creating some of the richest landscapes in choral music. Her works describe the deepest lakes, the bluest skies, the quietest plains in a kaleidoscope of sounds that both connects us to the subject and magnifies our distance from it.
Composer Tamar Diesendruck offers a transparent view of deconstructionism. Her setting of Giuseppe Ungaretti’sbrief words moves from a fragmented landscape to a lush harmonic fullness as the words themselves fall together to reveal, ”I am illumined by immensity."