Roberto Alagna is back at the Met, and back in the kind of romantic leading role that has made him an operatic heartthrob. The superstar tenor, having recently celebrated a landmark birthday, tells WRTI's Jim Cotter that he's also in one the greatest periods of his life, both personally and artistically.
This Sunday on WRTI, the new season of the Philadelphia Orchestra in Concert broadcasts launches with one of music's most iconic works. As WRTI’s Jim Cotter reports, Beethoven’s final symphony, completed almost two centuries ago, is still one of the most well-regarded and often-performed works.
The Philadelphia Orchestra is performing a two-year cycle of Beethoven’s symphonies. As WRTI’s Susan Lewis reports, although known to generations of music lovers, these great works continue to provide insights into Western musical heritage.
Listen to more of Susan’s interview with Philadelphia Orchestra Music Director Yannick Nezet-Seguin during Intermission on Sunday, November 10th, when WRTI broadcasts the Orchestra's first subscription concert of the season at 1 pm, featuring Beethoven's Symphony No. 9. Gregg Whiteside is host and producer.
Music lives in West Philadelphia, where diverse audiences experience classical music and more in an intimate setting. WRTI’s Susan Lewis investigates LiveConnections, which conducts programs at World Café Live.
This Sunday at 1 pm on The Philadelphia Orchestra in Concert on WRTI - Music Director Yannick Nezet-Seguin takes to the podium to conduct a symphony by one of the composers who is closest to him. WRTI’s Jim Cotter has more.
Opera Philadelphia launches its new Opera In The City series on November 2nd, presenting unusual opera productions in unconventional spaces. As WRTI’s Jim Cotter reports, the first production treats audiences both as spectators and guests at a Balkan wedding celebration.
The Philadelphia Orchestra is launching a mini festival of new concertos this week. But instead of the typical violin, piano, or cello soloists, the orchestra's principal harp, bassoon, and flute will be out in front, in pieces that, as The Philadelphia Inquirer’s David Patrick Stearns reports, promise to be anything but more of the same.