Philadelphia Orchestra harpist Elizabeth Hainen speaks with WRTI's Susan Lewis.
The harp is one of the world’s oldest instruments. And now, thanks to the efforts of Philadelphia Orchestra Principal Harpist Elizabeth Hainen, concert grand harps are once again being played in Philadelphia schools.
As WRTI’s Susan Lewis reports, Hainen is the driving force behind The Lyra Society, an organization she founded in 2004 to promote the harp through new commissions and lessons in the Philadelphia schools.
The Lyra Society presents A Harpist's Homecoming, with Philadelphia students and former Boston Symphony Principal Harp Ann Hobson Pilot, on Friday, April 5, 2013 at 6 pm at Philadelphia High School for Girls at Broad and Olney Streets. Information here.
On this Sunday's Philadelphia Orchestra In Concert broadcast, a pianist - world renowned for his interpretations of the music of Beethoven - performs a Mozart piano concerto. Surprisingly, it contains music by both great composers, as WRTI's Jim Cotter reports.
You can hear Rudolf Buchbinder perform Mozart’s Piano Concerto No. 20 with The Philadelphia Orchestra on-air and online on WRTI.org at 2 pm on Sunday, April 7th.
Rudolf Buchbinder conducting Mozart's Piano Concerto No. 20 from the keyboard with the Vienna Philharmonic:
The second Philadelphia International Festival of the Arts, or PIFA 2013, opened on March 28th. As WRTI’s Susan Lewis reports, the Kimmel Center Plaza is once again be its hub - this time, with a giant Time Machine, and a number of free events. Kimmel Center President Anne Ewers says the festival highlights the Center's role as a public gathering space.
The city festival features music, theater, dance, and other activities staged by over 50 PIFA partners.
A number of free events will take place on the Kimmel’s Commonwealth Plaza, including Friday at noon concerts, late-night jazz, and a musical production Tuesday through Sunday nights. The 31-day festival ends with a public day-long fair on Broad Street on April 27th.
Watch a video featuring PIFA partners talking about their work and the idea of time travel.
An annual Jazz@The Point Festival is a cornerstone for the Somers Point Jazz Society; but the nine-year-old organization also spreads jazz around southern New Jersey throughout the year. Lectures and student workshops regularly round out concerts and performances at local venues all around Somers Point.
The Somers Point Jazz Society has helped put on a Tuesday night jazz series at Sandi Point Coastal Bistro for the last two years. WRTI's Meridee Duddleston stopped in recently on a show that featured Melanie Rice - vocals, Dean Schneider – piano, accompanied by Tim Lekan – bass, and Bob Shomo – drums.
Even before The Philadelphia Orchestra's new music director took up his post, he'd begun reaching out to other arts organizations. As WRTI's Jim Cotter reports, the Orchestra is now set to present an ambitious co-production of a Richard Strauss masterpiece with Opera Philadelphia.
The modern game of golf comes from Scotland, where in the mid 19th century it also became a subject for artists. WRTI’s Susan Lewis considers the relationship between art and golf in Victorian Great Britain, as a Philadelphia Museum of Art exhibition spotlights an 1847 masterwork: The Golfers. Museum Curator of European Painting Before 1900 Jennifer Thompson says the large painting is one of the most celebrated in the genre.
Hiccups and sneezes are not a standard accompaniment to a performance of classical music. But when was the last time a live performance was free of coughing? At a classical music concert, rules of etiquette demand silent immersion in the music - no cell phones or texting of course, no talking, and a limited array of acceptable responses to the performance.
Economics Professor Andreas Wagener, who specializes in social policy at Leibniz University of Hannover in Hannover, Germany, reviews the research and outlines six motives for why there’s more than the usual amount of coughing during classical concerts.
David Lindsay-Abaire would seem to have a case of multiple creative personalities. The Pulitzer-winning playwright wrote the book and lyrics to Shrek the Musical and worked on the screenplay to The Great and Powerful Oz.
He’s now represented by a hugely different theatrical work at the Walnut Street Theatre, a play titled Good People about hard-scrabble life and class struggle in South Boston, or “Southie.” The Philadelphia Inquirer’s David Patrick Stearns spoke to the playwright in his Brooklyn home and discovered that Good People is the real him.
For the first time in almost 30 years, The Philadelphia Orchestra is performing Bach’s St. Matthew Passion. The monumental oratorio fell into obscurity for decades after Bach's death in 1750. Composer Felix Mendelssohn's production of the work in 1829 helped spark the modern Bach revival. Susan Lewis considers Bach’s life and work.
On March 28th through 30th, The Philadelphia Orchestra performs the uncut Bach’s St. Matthew Passion, with costumes and dramatic lighting at the Kimmel Center in Philadelphia.
Music lives at Westminster Choir College at Rider University in Princeton, New Jersey. As WRTI's Jim Cotter reports, the college's Westminster Symphonic Choir has, for almost 90 years, been performing with the world's foremost orchestras under some legendary conductors, including Leopold Stokowski, Arturo Toscanini, Bruno Walter, Leonard Bernstein, Herbert von Karajan, Pierre Boulez, Robert Shaw, Kurt Masur and on and on.
Joe Miller is professor of conducting and chair of conducting for organ and sacred music at Westminster Choir College. This week, his Westminster Symphonic Choir performs Bach’s St Mathew Passion with The Philadelphia Orchestra under Yannick Nezet-Seguin, a Westminster Alum.