Jail Was Heat. Purvis Young, American, 1943-2010. Paint on weathered Masonite with nailed-on pieces of various types of weathered scrap wood, 43 x 34 inches. Philadelphia Museum of Art, The Jill and Sheldon Bonovitz Collection
The term "outsider art" came into use in the early 1970s from a French description for unrefined art. As WRTI’s Jim Cotter reports, the preferred term today is “self-taught,” and a single collection of such work is the focus of a new, major exhibition at the Philadelphia Museum of Art.
On The Philadelphia Orchestra in Concert - a new weekly radio series on WRTI - Music Director Yannick Nezet-Seguin takes to the podium to conduct a symphony by one of the composers who is closest to him. WRTI’s Jim Cotter has more.
His name is Yannick Nezet-Seguin, but in a New York Times profile recently, he was nicknamed "Mighty Mouse" by the opera star Joyce DiDonato.
After all, he's been saving the day for the recently distressed Philadelphia Orchestra. And, as The Philadelphia Inquirer's David Patrick Stearns reports, he hopes to continue to do so in the upcoming 2013-2014 season.
Philadelphia’s All-City Orchestra has brought together talented music students from city high schools for over 60 years,. Its alumni include musicians in orchestras around the country. Students are learning from some of the best in the business, starting with their director, Philadelphia Orchestra Principal Timpani Don Liuzzi.
The annual All-Philadelphia High School Music Festival takes place on Monday March 4th at the Kimmel Center. The Philadelphia Orchestra performs the Shostakovich 5th Symphony on March 1st.
This week, we celebrate the birthday of Marian Anderson. The opera superstar was born in Philadelphia in 1897. WRTI’s Jim Cotter says that though her voice had an ethereal quality, the late, great contralto was renowned for her humility and her humanity.
Band music includes marches, pop songs, and transcriptions of orchestral works. But over the last century more composers have written explicitly for winds. The Philadelphia Wind Symphony was founded, in part, to explore the variety and richness of the repertoire.
Music lives at LaRose Jazz Club in the Germantown section of Philadelphia. That's where sax player and local jazz legend Tony Williams has a steady Monday night gig. WRTI’s Meridee Duddleston spends time with Tony Williams - now in his 80s - and finds out how this mainstay of the Philadelphia jazz scene keeps it fresh today and pursues his vision for tomorrow.
An educator, musician and mentor, Williams has been part of the jazz scene in Philadelphia and beyond for decades. His passion for jazz comes through as he blows on the saxophone in his Mount Airy home. Williams' humble altruism has also spilled out into the neighborhood. In the late 1970s, he spearheaded the formation of a number of teen jazz bands, including “Pieces of a Dream,” and the “Stenton Diner Teenage Jazz Band,” made up of teenagers from Germantown and Mount Airy. And for over 35 years his Mount Airy Cultural Center has built a bridge to the next generation - through jazz.
Music Director Yannick Nezet-Seguin would seem to be taking The Philadelphia Orchestra back to 1930. That was the year the late Leopold Stokowski, heard here with the Depression-era Philadelphia Orchestra, conducted Stravinsky’s ballet, The Rite of Spring when it was first danced in the United States. But there’s nothing retrogressive in what New York’s cutting-edge Ridge Theater is cooking up for this week’s Rite with the Orchestra. The Philadelphia Inquirer’s David Patrick Stearns is still guessing what it will look like.
The least-used spaces in Verizon Hall are….up in the air.
STEARNS: There’s much height to it. There are projection surfaces above the orchestra. Why not make that a playing space for the choreography as well?
The Philadelphia Orchestra’s Vice President of Artistic Planning Jeremy Rothman is referring to the use of an aerialist. For that, he’s commandeering the hall for an entire week to set up the proper rigging. The production's winter-to-spring depiction will also have video projections on multiple screens and scrims, plus dancers. Though, not that many, says Nezet-Seguin.
NEZET-SEGUIN: There’s a few dancers but it’s not danced the whole thing, which was important for me.
Time and again, the conductor emphasizes that his orchestra is not going to get lost in a lot of theatrical bells and whistles. The huge Ridge Theater apparatus is there to serve the Orchestra. The conductor, not the dancers, will dictate tempos, says Rothman.
ROTHMAN: Yannick is somewhat uncompromising about what he wants to present musically.
The Rite of Spring has been widely and wildly interpreted over the years, from tribal Russian dancers of the Joffrey Ballet to Paul Taylor’s film-noir version with gangsters. Just how far afield will this one go? Is the ballet still about human sacrifice?
ROTHMAN: There is a sacrifice…the idea was to get back to the spirit of it…but rather than the …is to take the same spirit and update it with more modern means. But there’s still a sacrifice.