“Great and Mighty Things” are being seen at the Philadelphia Museum of Art. That’s the title of a highly unorthodox exhibition of self-taught or outsider art: works by people unschooled, unfiltered, and unmediated by outside aesthetics, but created out of a pure inner need.
But don't think that outsider artists are confined to the idiosyncratic paintings, drawings and sculptures that can be seen at the museum through June. The Philadelphia Inquirer's David Patrick Stearns hears outsider composers everywhere, even in the insider realms of Princeton University.
Temple University's Dance Department has commissioned a new work to be performed by world-renowned, Philadelphia-based Rennie Harris Puremovement. As WRTI’s Jim Cotter reports, the piece was created for a site-specific performance beneath the mural in North Philadelphia for which it is named.
Born in Bologna in 1879, Italian violinist, violist, conductor and composer Ottorino Respighi moved to Rome in 1913. He became internationally recognized for his trilogy of symphonic poems celebrating the fountains, pines, and festivals of the city.
WRTI's Susan Lewis considers The Pines of Rome, performed by The Philadelphia Orchestra. She spoke with organist Michael Stairs and Associate Principal Clarinet Samuel Caviezel.
Listen to Michael Stairs' and Samuel Caviezel's interviews with Susan Lewis as part of the Intermission Features during The Philadelphia Orchestra concert broadcast on WRTI on Sunday, March 24th at 2 pm.
Philadelphia’s Jennifer Higdon is among the most frequently performed living American composers. Now 50, the successful, unpretentious, and endlessly creative Higdon is adding an opera to her extensive repertoire. It’s a joint commission of The Santa Fe Opera and Opera Philadelphia based on Charles Frazier’s Civil War novel Cold Mountain. Higdon’s family moved from Atlanta to east Tennessee when she was an adolescent– about 40 miles, she says, as the crow flies from Cold Mountain. That geographic proximity fueled her insight into the characters she’s recasting in operatic form.
Higdon’s partner, Cheryl Lawson, runs Lawdon Press, the company that publishes and distributes Higdon’s works. Among her most-performed compositions is blue cathedral, a tone poem she wrote after the death, from cancer, of her brother Andrew Blue Higdon. Her works have been recorded on dozens of CDs and performed around the world.