For the first time in almost 30 years, The Philadelphia Orchestra is performing Bach’s St. Matthew Passion. The monumental oratorio fell into obscurity for decades after Bach's death in 1750. Composer Felix Mendelssohn's production of the work in 1829 helped spark the modern Bach revival. Susan Lewis considers Bach’s life and work.
On March 28th through 30th, The Philadelphia Orchestra performs the uncut Bach’s St. Matthew Passion, with costumes and dramatic lighting at the Kimmel Center in Philadelphia.
Music lives at Westminster Choir College at Rider University in Princeton, New Jersey. As WRTI's Jim Cotter reports, the college's Westminster Symphonic Choir has, for almost 90 years, been performing with the world's foremost orchestras under some legendary conductors, including Leopold Stokowski, Arturo Toscanini, Bruno Walter, Leonard Bernstein, Herbert von Karajan, Pierre Boulez, Robert Shaw, Kurt Masur and on and on.
Joe Miller is professor of conducting and chair of conducting for organ and sacred music at Westminster Choir College. This week, his Westminster Symphonic Choir performs Bach’s St Mathew Passion with The Philadelphia Orchestra under Yannick Nezet-Seguin, a Westminster Alum.
Once home to jazz greats such as Dizzy Gillespie and John Coltrane, Philadelphia still has a committed jazz contingent. WRTI's Susan Lewis talked with Christ Dhimitri and Mark DeNinno, past and present owners of Chris’ Jazz Café, an active jazz club in Center City.
“Great and Mighty Things” are being seen at the Philadelphia Museum of Art. That’s the title of a highly unorthodox exhibition of self-taught or outsider art: works by people unschooled, unfiltered, and unmediated by outside aesthetics, but created out of a pure inner need.
But don't think that outsider artists are confined to the idiosyncratic paintings, drawings and sculptures that can be seen at the museum through June. The Philadelphia Inquirer's David Patrick Stearns hears outsider composers everywhere, even in the insider realms of Princeton University.