Classical music soloists must spend a lot of time practicing their instruments. But some stars are connecting with fans in ways that reach beyond the concert hall. WRTI’s Susan Lewis spoke with pianist Jonathan Biss and violinist Hilary Hahn.
WRTI's Philadelphia Orchestra In Concert broadcast on August 25th features Jonathan Biss playing Mozart's Piano Concerto No. 13. On September 29th, WRTI's concert broadcast of The Philadelphia Orchestra includes Hilary Hahn playing Korngold's Violin Concerto.
Philadelphians don’t often envy their neighbors in the north. But it was hard not to, when Yannick Nezet- Seguin conducted his Orchestre Metropolitain de Montreal in an all-star concert performance of Wagner's Lohengrin at Festival Lanaudiere outside of Montreal on August 11th.
Even a significant diva cliffhanger didn't stop it, reports The Philadelphia Inquirer’s David Patrick Stearns.
The musical Hair opened on Broadway, and 2001: A Space Odyssey was at the movies. It was also in 1968 that Martin Luther King, Jr. and Robert Kennedy were assassinated, and 14,000 American military personnel died in Vietnam.
Music lives at WRTI, where throughout 2013 we're celebrating our 60th anniversary. "The Diamond Sessions” - a series of classical and jazz performances, recorded live before audiences at the WRTI studios, are just a part of these celebrations. The first session featured jazz vocalist Joanna Pascale who told WRTI’s Meridee Duddleston that, for her, it all starts with the lyrics.
Joanna Pascale also teaches vocals in the jazz program at Temple University’s Boyer College of Music and Dance. In this excerpt, Pascale shares her insight on breaking down the lyrics to create meaning, as well as her favorite lyricists and writing on her own.
Why do people cough during classical music concerts? Is it a physical reflex or is there something else going on? WRTI’s Meridee Duddleston takes a look at some recent research
Hiccups and sneezes are not a standard accompaniment to a performance of classical music. But when was the last time a live performance was free of coughing? At a classical music concert, rules of etiquette demand silent immersion in the music - no cell phones or texting of course, no talking, and a limited array of acceptable responses to the performance.
Economics Professor Andreas Wagener, who specializes in social policy at Leibniz University of Hannover in Hannover, Germany, reviews the research and outlines six motives for why there’s more than the usual amount of coughing during classical concerts.
Professor Wagener is the author of Why Do People (Not) Cough in Concerts?The Economics of Concert Etiquette - published by the Association for Cultural Economics International.
On this week's Philadelphia Orchestra In Concert broadcast, the Philadelphians pays special tribute to their former music director, Wolfgang Sawallisch, who died earlier this year. As WRTI’s Susan Lewis reports, he’s remembered as a master on the podium.
Listen to reflections about Conductor Laureate Wolfgang Sawallisch on the podium in Philadelphia, and on tour, from Philadelphia Orchestra musicians Kathryn Picht Read, Jonathan Beiler, and Mark Gigliotti.
On Sunday, August 11th at 2 pm, WRTI will broadcast a recorded live concert featuring The Philadelphia Orchestra performing three of Bach’s Brandenburg Concertos, his Double Violin Concerto, and his Orchestral Suite No. 3.
A smartphone app developed at Drexel University deconstructs music into discernible elements like tone, intensity, and rhythm, and facilitates a fuller way of experiencing a live performance. Drexel University’s Expressive & Creative Technologies Center (ExCITe) uses the “Science of Jazz” app to translate some of what’s measurable about music into visual form.
Microphones capture sound and the app transforms it to images in real time: one for how sound waves reach different parts of a concert hall, another to approximate which notes musicians are playing on their instruments, and another to depict the pitch and intensity of each instrument.
Dr. Youngmoo Kim, ExCITe’s director, is behind the app, which he says makes the live concert more educational and meaningful. Limited to the iPhone - and used only for jazz performances so far - see how it works:
Audio FileIn these excerpts of Meridee Duddleston’s interview with Dr. Kim he describes synergy between art and science and creates a word picture of how the “Science of Jazz” Iphone app works. It was first demonstrated during a jazz concert at the Philadelphia Science Festival in 2012 and was further refined for another concert in 2013.Edit | Remove