Steady work is a coveted and rare prize among many jazz musicians. WRTI’s Meridee Duddleston visits a force in the local jazz scene who never had a problem getting gigs. Recognized by Mayor Michael Nutter for his enduring contribution to the city’s jazz scene, jazz drummer Charlie Rice has been keeping the beat for more than 70 years and counting.
This Sunday’s re-broadcast of The Philadelphia Orchestra in Concert, on July 20th at 1 pm, features a celebrated oboe concerto by Richard Strauss. As WRTI’s Susan Lewis reports, the 1945 work has a Philadelphia connection.
The concert features Mahler's 4th Symphony, Britten's Variations and Fugue on a Theme of Purcell, and the Strauss Oboe Concerto with soloist Richard Woodhams.
On this Sunday’s Philadelphia Orchestra in Concert broadcast, Music Director Yannick Nezet-Seguin conducts works by Britten and Strauss, along with Mahler's Symphony No. 4. As WRTI’s Jim Cotter reports, the German soprano in the Mahler work is singing a piece that is revered in her homeland.
You never know where you'll encounter composer Uri Caine- born, raised, and educated in Philadelphia, but now equally well known in jazz and classical circles around the world. But the Philadelphia Inquirer's David Patrick Stearns found him rehearsing in yet another musical continent at St. Paul's Evangelical Lutheran Church in Olney.
A summer jazz series is once again showcasing music in a historic Philadelphia neighborhood. As WRTI’s Susan Lewis reports, it’s the second season for the concerts, presented by Sol Unlimited Jazz and Arts.
Saturday, July 12, 2014 would have been the 80th birthday of celebrated American pianist Van Cliburn, who died in 2013. As WRTI’s Susan Lewis reports, his 1958 win in the Soviet Union’s first International Tchaikovsky Competition was a welcome sign of warmth in the midst of Cold War tensions.
Westminster Choir College at Rider University in Princeton, New Jersey is an epicenter for excellence in choral music. As WRTI’s Jim Cotter reports, one of Westminster’s choirs can be heard on WRTI on Sunday, July 13 at 1 pm, conducted by a now very well-known alum of the school.
The Philadelphia Orchestra is performing a two-year cycle of Beethoven’s symphonies. As WRTI’s Susan Lewis reports, although known to generations of music lovers, these great works continue to provide insights into Western musical heritage.
A manuscript of a J.S. Bach cantata casts a new light on how Bach intended the piece to be played. A singer gains insight from a line in a Porgy and Bess manuscript that differs from the final lyrics. The Music Division of the massive Library of Congress in Washington, DC, is a place where performers, composers, scholars and the general public make discoveries of the musical kind.
Case in point: in a series of letters written in 1957 to his wife Felicia, while she was visiting her family in Santiago, Chile, Leonard Bernstein faithfully chronicles the progress of West Side Story during the final weeks of rehearsal through the show’s out-of-town opening in Washington, D.C. The letters reveal Bernstein’s changing emotions about the show from frustration and agony to his final state of euphoria. In addition to comments about West Side Story, Bernstein writes about signing his contract as conductor with the New York Philharmonic, his upcoming thirty-ninth birthday, and how much he misses Felicia and their children, Jamie and Alexander. Read the letters here.
The Special Collections of the Music Division are truly fascinating and constitute a resource for musical scholarship that is unmatched anywhere in the world. These unique bodies of materials are extraordinarily vast and diverse, yet very much interrelated. They include some of the greatest treasures of the Music Division and the Library of Congress.
Excerpts of Meridee Duddleston’s interview with Senior Music Specialist Raymond White and Music Division Director Susan Vita.