Christopher Theofanidis

In an era when women had little voice, 12th-century abbess Hildegard of Bingen founded her own women's monastery, authored volumes of sacred text, served as a physician to her community, wrote the oldest surviving musical morality play, and produced plainchants of great expression and beauty. She was canonized in 2012.

We see from surprising paths on Now Is the Time, Saturday, November 9th at 9 pm—our new time, every Saturday night at 9 on WRTI-HD2.

Solo flute entices, with electronics, in Flutepaths by Lawrence Moss, and then the first of two works relate to the hymn "Amazing Grace." James Piorkowski's subtle variations "Once Was Lost…" are for solo guitar.

Christopher Theofanidis's large-breathed On the Edge of the Infinite, for violin and orchestra, brings us to Amazing Grace by Leslie Adams. While the title is familiar, both the music and the words are by Adams. Michael Colgrass bases the Winds of Nagual on Carlos Castaneda's mystic writings from the Mexican wilderness. Hallucinations and shape-shifting lead to a leap into the abyss, which explodes into a thousand views of the world.