Lena Horne lived to be a legend in her own time. She was 92 years old when she departed a little over two years ago. She lived a long time, and in her time, she accomplished much in show business and beyond.
Early in 2010, bassist Charlie Haden and pianist Hank Jones got together to record a follow-up to their 1995 (smash hit) album of spirituals and traditional music, Steal Away. They made the decision that a small handful of traditional carols, with a message of peace, would make it onto the album. The result is Come Sunday. It was recorded in February 2010, shortly before Jones' passing.
Sergei Rachmaninoff: Piano Concerto No. 3 in d minor, op. 30 Vladimir Horowitz, piano The New York Philharmonic; Eugene Ormandy, conductor
It's not often that we re-discover or even newly discover treasures that are hidden in our libraries, but this one is irresistible and undeniably the most exciting recording of one of the most technically demanding works in the piano repertoire - Sergei Rachmaninoff's Third Piano Concerto.
It's well past time to listen to historical instruments because they're, well, historical. Or "informed," or "accurate," or whatever word we might use to feel scholastically correct. It's time to listen because they sound beautiful.
Marriages: the successful workings of two business partners; two athletes involved in a sporting event, and other instances in which two individuals are teamed and work successfully, are often described as unions made in heaven.
Oscar Peterson: Unmistakable A Zenph Re-Performance
There is nothing quite like listening to Oscar Peterson play the piano. The man was a true musical genius, and his playing exuded rigid technique and grace - all at the same time. This Unmistakable release is a solo record, and may be one of the most pristine recordings of Oscar's work that has ever existed.
Who says classical music has to be profound to be enjoyable? If you listen to classical music to "chill out," this disc is for you - with the composer's stamp of approval. Michael Torke says that he "always wanted to write a composition that would inspire a woman - coming home from a long day of work - to draw a bath, light candles, and listen to it on her pink iPod." And he has, times two, with "Tahiti," the title composition, and "Fiji" - fun pieces with a depth that listeners can explore.
A lone violin plays a simple, haunting melody, and you think of the people: the many taken away, the few saved, and the one who saved the few. His name is Schindler, and the violin plays. This forlorn, soft, heart-rending music--performed here by Itzhak Perlman--is by John Williams, the king of Hollywood composers. It transforms the movie, because as sad as Schindler's List is, it is the sweetness of the music that drives the sadness deeper. John Williams makes magic happen in front of our eyes. That's what he does.