John Pizzarelli is a seasoned guitarist, pop singer, and debonair entertainer whose greatest talent is communicating the jazz idiom to music listeners who otherwise are indifferent to the form. On stage in August at Birdland in New York to celebrate the release of Midnight McCartney, his relentless enthusiasm as a bandleader smoothed the way for a sweetly nostalgic appreciation for lesser-known tunes by Paul McCartney. Along the way, his relaxed stage banter left the audience laughing and feeling great.
Jamison is the debut of a significant talent. Winner of the 2012 Thelonious Monk Jazz Competition, the singularly entertaining Jamison Ross is a drummer of enormous presence and an irrepressible bandleader, judging from his album release show I attended at Dizzy’s Club Coca Cola in June.
James Horner: Pas de Deux Disillusionment with atonal contemporary music then being written drove the young James Horner to film scoring. In November 2014, after years of movie successes, the 61-year-old film composer (Titanic, Avatar, The Amazing Spider-Man) returned to the concert hall with a triumph, his Double Concerto for violin and cello. The work was premiered by its dedicatees, the Norwegian Samuelsen siblings Mari and Hakon.
Listening to Joanna Pascale sing is like getting a big hug. Her voice is warm, wise and easy to love. The Philly native has put out fine solo albums previously, but nothing like Wildflower, a deeply felt record that freely mixes pop tunes, blues, and outlier standards.
A fast-rising modernist, trumpeter John Raymond assembles a solid team of musicians for his sophomore release Foreign Territory. Anchored by the resolute Billy Hart on the drums, bassist Joe Martin, and the gifted pianist Dan Tepfer, Raymond delivers a masterful set of multi-textured songs; they swing obliquely and pull you in with disarming ease.
Pianist Harold Mabern is a two-fisted swinger, a legendary presence on the many great Blue Note dates of the ’60s, who continues to add a distinctive groove to his many solo projects. He’s partial to playing blocks of chords hard and quick, as if he needs to get somewhere fast. His melodic ideas seem to dance from his fingertips. It’s his signature technique combined with a sound that’s shot through with honey-dripping soul, as sweet and graceful as can be.
WRTI's Mark Pinto, host of the Classical New Releases show, fills you in on the latest and the greatest classical music CDsevery Saturday at 5 pm.Here are five newly released recordings he recommends:
Sokolov: The Salzburg Recital. Though celebrated for the breadth of his repertoire, epic interpretations, and boundless imagination, Russian-born pianist Grigory Sokolov has become something of a living legend and a well-kept secret in America.
It was easy to see why bassist Ben Williams’s debut CD State of Art made such a splash. It had a deserved buzz around a rising talent, and remains a primer for how to make a modern jazz record.
Since then, besides heavy side-gigging and touring with his band as Ben Williams and Sound Effect (Christian Sands, Marcus Strickland, Matthew Stevens, and John Davis), the 30-year-old had a key role in the Pat Metheny Unity Group. The band played over 150 shows internationally in 2013, which is a lot of experience in a compressed time frame.
So it’s not surprising that his follow-up CD, Coming of Age, is a rush of pleasure from beginning to end.
A taste of the new Ben Williams CD, Coming of Age:
The highly-disciplined Williams, a Juilliard graduate and winner of the 2009 Thelonious Monk International Jazz Bass Competition, weds fresh jazz to pop and R&B on seriously engaging tunes that hum and heave from his nimble bass whether he’s on acoustic or electric. The record is backboned by tracks that electrify (“Strength and Beauty”) and groove (“Half Steppin’”), yet his vocal collaborations with soul singer Goapele (“Voice of Freedom”) and a reprise of a track called “Toy Soldiers” with rap/spoken-word artist W. Ellington Felton satisfy the de rigueur groove revivalism and album’s crossover appeal.
Instrumentals like “Black Villain Music” and the sweet gloss of strings and muted trumpet by guest Christian Scott on “Lost And Found” will satisfy on multiple spins, but it’s the keyed-up guitar solos, funky electric piano, sonorous sax, and wicked beats that give Coming of Age its more-than-just-jazz appeal.
It’s a contagious hang, fueled by virtuosity and vision along with Williams’s canny sense of music-making.
Matthew Weiner, the creator of the hugely popular TV series Mad Men - now in its final season - works very hard at going beneath the surface to capture the look of the 1960s, from company logo typefaces to office equipment tints to the shine in a pair of trousers. Mad Men composer David Carbonara labors just as much on the show's music to express that era; he’s a composer of acutely original pieces.
Is Billie Holiday the ultimate jazz singer? You might think so, listening to this commemorative anthology that draws from Lady Day’s early period. She performs tunes recorded between 1935 and 1945, either fronting pianist Teddy Wilson and His Orchestra or leading her own. These are timeless, defining songs that continue to feed into the myth, magic, and tragedy that is Ms. Holiday.