It's ice and echoes on Now Is the Time, Saturday, January 31st at 9 pm Eastern on the all-classical stream at wrti.org and WRTI-HD2. Figure-skating and Stravinsky inspire Joan Tower's gliding Petroushskates, and Allen Ginsberg narrates his own poem in Echorus by Philip Glass, for two violins and strings. From the CD Winter is Eric Ewazen's Elegia, for trumpet and piano.
The Tibetan Heart Mantra is at the center of Echoes by Paul Fowler, for the women of The Crossing, and Peru echoes in the harpsichord work by Kent Holliday, Dances from Colca Canyon. Barton McLean runs environmentalist John Muir's descriptions of glaciers through his own software to construct Ice Canyons. The echoes of minimalism by way of Steve Reich close out the program, in this recording of New York Counterpoint arranged by saxophonist Dave Camwell for his CD Time Scape.
It's sound, brand-new and fantastical, on Now Is the Time, Saturday, August 2nd at 9 pm at wrti.org and WRTI-HD2. Mason Bates intersects electronica pop rhythm with indigenous percussion in Stereo Is King, while Prism by Charles Peck combines a percussion quartet with an electronic touch-pad instrument of his own invention, at Philadelphia's University of the Arts.
Violin mashes into a surprisingly romantic Fantasy for Violin and Electronics by James Aikman, Barton McLean unleashes the hounds in Demons of the Night, and up in Woodstock, David van Tieghem wrote, recorded, and produced the quirky Waiting for the Gizmo—No. 1. Ambient Pastels of Larry Kucharz waft through the rest of the program.