The New York Times calls Alisa Weilerstein the "sovereign of the American cello," and continues, "it’s not technical brilliance that makes Alisa Weilerstein’s recording of Dvorak’s much-loved cello concerto special, though the young American cellist has it in spades. It’s the take-no-prisoners emotional investment that is evident in every bar, but never more so than in the heart-wrenching slow movement, where Ms. Weilerstein’s cello appears to take on human shape."
Originally published on Wed November 7, 2012 9:29 am
American cellist Alisa Weilerstein has been attracting intense heat over the last few years. Not only did she win a 2011 MacArthur "genius" grant, but in 2009 she gave a blistering performance of Kodaly at the White House for President and Mrs.
Alisa Weilerstein, one of today's top cellists, is accustomed to playing in the world's finest concert halls. This season alone brings her to Seoul, Hamburg, Los Angeles, London and Sydney. But there was one other lofty venue on her travel schedule: the National Aquarium in Baltimore.