New York Philharmonic Music Director Alan Gilbert walks across Lincoln Center Plaza to conduct the Metropolitan Opera in this perennial favorite of Mozart'sDon Giovanni.Peter Mattei is the rakish Don, Elza van den Heever is Donna Anna, Luca Pisaroni as Leporello declaims his catalog aria, and James Morris takes Don Giovanni to his judgment as The Commendatore.
In the late 19th century, prominent composers began to emerge from countries that had not been center stage in international musical life. Among these leading figures were Jean Sibelius in Finland, and Antonín Dvořák and Leoš Janáček in the Czech lands.
The hardest working people in show business, at least in the classical music world, can take a bow this week. As WRTI’s Jim Cotter reports, data on the busiest conductors and orchestras in 2012 shows The Philadelphia Orchestra maintaining its place in the top 10 ensembles, while the most active conductor began his professional career in the Philadelphia region.
The survey was undertaken by the website BachTrack.com, which found that for the third year in a row, Beethoven was the most performed of all composers with Arvo Part the most performed living composer.
Predictably, Mozart and Bach came in 2nd and 3rd, but it was not a good year for Mahler who slipped from 9th to 25th - and Liszt who fell from the 6th to the 24th. Their places in the top 10 were taken by Debussy and Schumann.
The busiest conductor in the world last year was Alan Gilbert whose first music directorship appointment was with Camden’s Symphony in C in the early 1990s. The orchestra he currently directs, the New York Philharmonic, was also, not surprisingly the busiest orchestra in the world, taking over the top spot from the San Francisco Symphony. The Philadelphia Orchestra came in at 9th; slipping one place from last year.
In repertoire, the top three most-performed operas were all by Mozart - two of which had librettos by the one-time Pennsylvania resident Lorenzo Da Ponte. The Magic Flute was at number one followed by Don Giovanni and The Marriage of Figaro.
And finally, the most-performed works in 2012 were, in ascending order: 3) Beethoven’s Symphony No. 7, 2) Bruckner's Symphony No. 4, and in the top spot, 1) Handel's Messiah.
Finnish composer Magnus Lindberg is the Philharmonic's composer-in-residence, at the invitation of Music Director Alan Gilbert. Lindberg's music opened the 2009-10 season of the Philharmonic, Gilbert's first concert as music director. This Sunday, it's an all-Lindberg program, with the opening work, Expo, as the first item on the program. We'll also hear the world-premiere performance of his Piano Concerto No. 2, with Pianist Yefim Bronfman as soloist. Sunday, September 2nd, 3 to 5 pm.
Music Director Alan Gilbert conducts the NY Philharmonic in concert performances of two works from their summer home in Colorado: the Sinfonia Espansiva, Carl Nielsen's Symphony No. 3 for large orchestra with a wordless soprano and baritone obbligato, and the Brahms Piano Concerto No. 2, one of the cornerstones of the repertoire. Yefim Bronfman joins the orchestra for the Brahms. Sunday, August 26th 3 to 5 pm.
Join us on Sunday, July 22, 3 to 5 pm as Music Director Alan Gilbert, pianist Emanuel Ax, and the New York Choral Artists present the final program of the New York Philharmonic's season in Avery Fisher Hall. The concert, recorded last month, is an all-Mozart program featuring the Piano Concerto No. 22, and the Great Mass in c minor.
Jim Cotter speaks with Alan Gilbert, the Music Director-Designate of the New York Philharmonic.
Susan Lewis looks at the music and life of Beethoven, and in particular at Mahler's transcription of his Opus 95. Alan Gilbert will conduct The Curtis Institute of Music in performances of this work next week.
And we'll hear from composer David DiChiera. The Opera Company of Philadelphia presents the east coast premiere of his new work Cyrano this weekend.