The Philadelphia Orchestra in Concert

Sunday, 1 to 3 pm

Join us on Sunday afternoons to hear our very own Philadelphia Orchestra in live, recorded concerts from Verizon Hall at the Kimmel Center.

The ensemble has a long and venerable history of radio broadcasts, as the first orchestra with its own commercially sponsored national radio series, beginning in 1929 on NBC. This weekly series of radio broadcasts marks the return of the Orchestra to the airwaves. WRTI's Gregg Whiteside is producer and host. 

Program information for broadcast on Sunday, July 24th

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Ways to Connect

A young conductor, trained in both his native Colombia and Vienna, now leads orchestras on two continents. As WRTI’s Susan Lewis reports, culture, intellect and passion are all part of his approach to music.

Listen to The Philadelphia Orchestra in Concert on WRTI on Sunday, April 10th at 1 pm to hear Andres Orozco-Estrada lead the Orchestra in a program featuring the music of Barber, Brahms, and Dvorak.  The concert was recorded live at Verizon Hall this past February. The broadcast can be heard on 90.1 FM in Philadelphia and streaming online at WRTI.org.

Few of The Philadelphia Orchestra's guest conductors were as great or as quirky as Otto Klemperer, whose recordings from his 1962 concerts with the ensemble have recently been remastered. The Philadelphia Inquirer's David Patrick Stearns discovered that the conductor is hardly forgotten.  

Three richly orchestrated works on this Sunday’s Philadelphia Orchestra in Concert broadcast complete the series of concerts from January celebrating the music of Vienna.

Join us this Easter Sunday at 1 pm to hear a Philadelphia Orchestra concert that actually kicked off the holiday season in grand style this past December. WRTI will broadcast a joyous performance of Handel's Messiah, with a world-class roster of vocalists, a chorus of talented voices from throughout our region, and the musicians of The Philadelphia Orchestra, all conducted by Yannick Nezet-Seguin.

Although Handel’s Messiah is now regularly performed during the Christmas holidays, the work was actually premiered in the spring before Easter. WRTI’s Susan Lewis has more on the fantastically successful masterpiece, which was created by necessity in just 24 days over two centuries ago.


Vienna was a hotbed of musical evolution, and the second concert in the Philadelphia Orchestra’s three-part series of the Music of Vienna shows us how far the symphony traveled in that time. On Sunday, March 20th at 1 pm Yannick Nézet-Séguin and the Philadelphians bring two symphonies composed about 80 years apart: Joseph Haydn’s 103rd, the famous “Drumroll” Symphony, and Anton Bruckner’s 4th.

The symphony as we know it today underwent major changes from the end of the 18th to the late 19th century. As WRTI’s Susan Lewis reports, two symphonies from two composers in Vienna during that time illustrate the range of the form.
 


It was on the 2nd of March, 100 years ago, that The Philadelphia Orchestra was, in effect, introduced to the world. The stage of the Academy of Music had to be extended, at considerable expense, to accommodate the enormous vocal and orchestral forces for the first United States performance of Gustav Mahler’s Symphony No. 8, the so-called “Symphony of a Thousand.”

A thriving classical music world involves not only composers and performers, but those who listen, and those who manage, connect, and promote the artists and the art form. WRTI’s Susan Lewis has more on Musical America, a publication that has been celebrating and connecting classical musicians since 1898:


Mat Hennek

Quite a few classical composers have found artistic inspiration in one of the planet’s most important natural resources. WRTI’s Susan Lewis reports on pianist Helene Grimaud's new recording of a collection of works reflecting on...water.


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