The Philadelphia Orchestra in Concert

Sunday, 1 to 3 pm on WRTI-FM; Monday, 7 to 9 pm on HD-2

Join us on Sunday afternoons and Monday evenings to hear the Philadelphia Orchestra in live, recorded concerts from Verizon Hall at the Kimmel Center.

The ensemble has a long and venerable history of radio broadcasts, as the first orchestra with its own commercially sponsored national radio series, beginning in 1929 on NBC. This weekly series of radio broadcasts marks the return of the Orchestra to the airwaves. WRTI's Gregg Whiteside is producer and host.

Coming up on May 22nd on HD-2 at 7 pm: LIVE re-broadcast from Verizon Hall —Yannick conducts Mahler's Symphony No. 3

Information about the broadcast on Sunday, May 28th at 1 pm, and Monday, May 29th at 7 pm on HD-2

Keep the music playing! Support WRTI with a tax-deductible contribution here.

Ways to Connect

Credit: Elias

Week Two of the Philadelphia Orchestra’s Paris Festival on WRTI offers a different aspect to a program featuring music-making in the City of Light: non-French composers who moved to Paris, and decided to stay.

Credit: Rob Shanahan

The trumpet was the instrument of kings, in court and on the battlefield. Today the orchestral trumpet is an instrument for virtuosos, and used for a variety of purposes. WRTI’s Susan Lewis has more.

C'est magnifique! The Philadelphia Orchestra’s three-week Paris Festival is on WRTI starting this Sunday, March 5th at 1 pm!  Six French composers, in works conducted by Yannick Nézet-Séguin, are featured in Week One: Chabrier, Fauré, Saint-Saëns, Canteloube, Ravel and Florent Schmitt.

Credit: Jessica Griffin

The largest, lowest non-brass woodwind instrument in the orchestra evokes darkness, romance, humor, and joy. WRTI’s Susan Lewis has more about the contrabassoon.

Composer, jazz trumpeter, and community activist Hannibal Lokumbe, the Philadelphia Orchestra's Composer-in-Residence, has composed two intriguing works for string quartet that explore the lives of two heroic women, Anne Frank and Fannie Lou Hamer.  Check out the performances by Philadelphia Orchestra musicians on Saturday, February 25th at the African American Museum in Philadelphia and the National Museum of American Jewish History.

Jessica Griffin

Hollywood may have typecast the bassoon as comedic star, but Philadelphia Orchestra Principal Bassoon Daniel Matsukawa fills us in on the instrument’s great lyrical expressiveness. WRTI's Susan Lewis has the story.

Wolfgang Amadeus Mozart. Credit: By Anonymous, possibly by Pietro Antonio Lorenzoni (1721-1782) [Public domain], via Wikimedia Commons

WRTI's Philadelphia Orchestra in Concert broadcast this Sunday, February 26, from 1 to 3 pm, celebrates Wolfgang Amadeus Mozart—the prodigy, and the master, with performances of his First Symphony, written at age eight, and his final one, the 41st Symphony​, composed a quarter century later.

This Sunday at 1 pm, it’s a memorable re-broadcast from 2014 of the fast-paced, one-act opera Salome. Among the most important musical works of the 20th century, it stands out for its revolutionary use of a large-scale orchestra and virtuosic singers, as much as for its graphic depiction of this deeply psychological tale. It's performed in a historic, joint production by the Philadelphia Orchestra and Opera Philadelphia.

Classical composer Michael Daugherty, who won two 2017 Grammy Awards, writes music about ideas, people, and places from popular culture. As WRTI’s Susan Lewis reports, his works invite listeners to engage with the music through their own experiences.


Is it purely luck that determines our fortune in life? Carl Orff’s grand choral extravaganza, based on medieval poetry, Carmina Burana would seem to lead us to think so!

Pages