The Philadelphia Orchestra in Concert

Sunday, 1 to 3 pm

Join us on Sunday afternoons to hear our very own Philadelphia Orchestra in live, recorded concerts from Verizon Hall at the Kimmel Center.

The ensemble has a long and venerable history of radio broadcasts, as the first orchestra with its own commercially sponsored national radio series, beginning in 1929 on NBC. This weekly series of radio broadcasts marks the return of the Orchestra to the airwaves. WRTI's Gregg Whiteside is producer and host. 

Information about broadcast on February 26th at 1 pm

Information about broadcast on February 19th at 1 pm

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Ways to Connect

Credit: Jessica Griffin

The largest, lowest non-brass woodwind instrument in the orchestra evokes darkness, romance, humor, and joy. WRTI’s Susan Lewis has more about the contrabassoon.

Composer, jazz trumpeter, and community activist Hannibal Lokumbe, the Philadelphia Orchestra's Composer-in-Residence, has composed two intriguing works for string quartet that explore the lives of two heroic women, Anne Frank and Fannie Lou Hamer.  Check out the performances by Philadelphia Orchestra musicians on Saturday, February 25th at the African American Museum in Philadelphia and the National Museum of American Jewish History.

Jessica Griffin

Hollywood may have typecast the bassoon as comedic star, but Philadelphia Orchestra Principal Bassoon Daniel Matsukawa fills us in on the instrument’s great lyrical expressiveness. WRTI's Susan Lewis has the story.

Wolfgang Amadeus Mozart. Credit: By Anonymous, possibly by Pietro Antonio Lorenzoni (1721-1782) [Public domain], via Wikimedia Commons

WRTI's Philadelphia Orchestra in Concert broadcast this Sunday, February 26, from 1 to 3 pm, celebrates Wolfgang Amadeus Mozart—the prodigy, and the master, with performances of his First Symphony, written at age eight, and his final one, the 41st Symphony​, composed a quarter century later.

This Sunday at 1 pm, it’s a memorable re-broadcast from 2014 of the fast-paced, one-act opera Salome. Among the most important musical works of the 20th century, it stands out for its revolutionary use of a large-scale orchestra and virtuosic singers, as much as for its graphic depiction of this deeply psychological tale. It's performed in a historic, joint production by the Philadelphia Orchestra and Opera Philadelphia.

Classical composer Michael Daugherty, who won two 2017 Grammy Awards, writes music about ideas, people, and places from popular culture. As WRTI’s Susan Lewis reports, his works invite listeners to engage with the music through their own experiences.


Is it purely luck that determines our fortune in life? Carl Orff’s grand choral extravaganza, based on medieval poetry, Carmina Burana would seem to lead us to think so!

Yannick Nézet-Séguin, credit: Jan Regan

Yannick Nezet-Seguin conducts this Sunday's Philadelphia Orchestra in Concert broadcast on WRTI. It's a program comprising two major works of the 20th century: Sergei Prokofiev’s Piano Concerto No. 2, played by one of the most talented virtuoso pianists in the world today, Yefim Bronfman; and Dmitri Shostakovich’s bold and powerful Symphony No. 4.

This Sunday at 1 pm, WRTI presents a concert first heard at Verizon Hall in November, 2014. You'll hear the youthful and energetic Piano Concerto No. 1 of Beethoven performed by perennial favorite, pianist Andre Watts, who first played with The Philadelphia Orchestra at age 10.

André Watts, Credit: Adrian Siegel Collection / The Philadelphia Orchestra Archives

Born in Germany in 1946, André Watts moved to Philadelphia with his Hungarian mother and American father when he was 8 years old. As WRTI’s Susan Lewis reports, after decades of performing, the celebrated pianist still finds new inspiration and challenges in the music.

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