Opera on WRTI

Saturday, 1 to 5 pm

Saturday is always opera day at WRTI! We bring you top performances from some of the finest opera companies in the world, every week of the year.

In addition to the full season of opera from The Metropolitan Opera, you'll hear performances from the Academy of Vocal Arts, Lyric Opera of Chicago, LA Opera, San Francisco Opera, Houston Grand Opera, and more.

Coming up...

LA Opera:

Double Bill - Purcell: DIDO AND AENEAS; Bartok: BLUEBEARD'S CASTLE
July 25, 1 to 3:30 pm

A riveting pairing of one-act masterpieces, written more than two centuries apart, explores the fine line between devotion and obsession. In Purcell’s Dido and Aeneas , a queen falls prey to the machinations of a formidable enemy, losing her heart to a man who abruptly abandons her. In Bartók’s suspenseful orchestral showpiece Bluebeard's Castle, an impulsive young bride turns her back on her family, only to uncover increasingly dark truths about her new husband.

Gioachino Rossini: THE BARBER OF SEVILLE
August 1, 1 to 4 pm

Wolfgang Amadeus Mozart: THE MARRIAGE OF FIGARO
August 8, 1 to 4 pm

Contribute here to support opera on WRTI throughout the year!

The Metropolitan Opera

We're very sad to report that longtime Metropolitan Opera Radio Host Margaret Juntwait died this morning, June 3rd. Below is a statement just released by the Met Opera:

The Metropolitan Opera mourns the death of our radio host Margaret Juntwait, who passed away this morning after a long battle with ovarian cancer. For millions of listeners around the world, Margaret was the voice of the Met for the past decade.

The troubadour Manrico and Count di Luna are bitter enemies. But in a twist of fate, they're both in love with Leonora — and they're brothers without knowing it.

Emotions boil in an action-packed story that includes babies switched at birth, kidnapping, mistaken identity, poisoning, civil strife, witches burned at the stake, and a noblewoman who offers herself to a man she hates, to save the man she loves.

The beautiful Countess has a difficult choice to make - will it be the amorous poet or the ardent musician whom she ultimately decides to love? She's one of the most glamorous and gifted singers of all time, he's one of the world's finest conductors — and both of them are supreme interpreters of Strauss. Renée Fleming and Sir Andrew Davis make magic in Richard Strauss' CAPRICCIO, Saturday, May 23, 1 to 4 pm on WRTI.

He's selfish. He's arrogant. He’s dangerous. With a list of conquests as long as the phonebook, Don Giovanni travels the world, snaring princesses and peasant girls alike. Thousands succumb, leaving a path of dishonor and broken lives. When the Don forces himself on the virtuous Donna Anna, her father intervenes and loses his life. Has the Don finally gone too far?

A new opera tells the compelling story of an American jazz icon in a way that broadens and diversifies opera’s audience. Opera Philadelphia is in the midst of preparing for the world premiere of Charlie Parker’s YARDBIRD.  The role of Parker was composed by Daniel Schnyder with tenor Lawrence Brownlee in mind.

Marty Sohl

The 2014-15 Metropolitan Opera Radio Broadcast season concludes with a broadcast of a 20th-century masterpiece, Igor Stravinsky’s only full-length opera, The Rake’s Progress.

It’s an English opera composed in Hollywood by a Russian. Igor Stravinsky saw the paintings and engravings by the 18th-century William Hogarth, depicting the consequences of loose living and licentiousness, centered on the fictional Tom Rakewell.

The English W. H. Auden and the American Chester Kallman then created a libretto that introduced a new character, Nick Shadow—the Devil—who entices Tom with promises of happiness and money. Tom loses everything, and ends up, literally, in Bedlam, the insane asylum, with the faithful Anne Trulove by his side.

Join us for another broadcast in our series of operas from the Academy of Vocal Arts.  AVA Opera Theater is currently presenting Charles Gounod’s Faust, in a series of performances throughout the Delaware Valley. Additional performances are scheduled for Centennial Hall at the Haverford School, Haverford on May 5th, and Central Bucks East High School, Doylestown on May 9th. Listen on WRTI this Sunday, May 3, from 3 to 6 pm.

 

Eric Owens has come a long way from Philadelphia's Central High School. This once-fledging oboe player has evolved into a bass-baritone who has opera productions built around him. One is Opera Philadelphia's current Don Carlo, where he's singing the role of lonely, powerful King Philip, but took time to share trade secrets with The Philadelphia Inquirer's David Patrick Stearns.

Metropolitan Opera Chorus Master Donald Palumbo knows voices, and how to instruct singers to protect them.

Palumbo says that all singers have to monitor their voices while rehearsing during the day. The goal, he says, is to insure singers are at their "freshest" and "most solid" for the evening performance.

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