Now is the Time

Saturday, 9 to 10 pm on HD-2 and the Classical Stream

Contemporary American music is being recorded all the time, and Now is the Time to take a listen and explore the music of American composers today. All types...all styles...listen to contemporary American music every Saturday night with host and composer Kile Smith.

Three of a Kind

Jan 10, 2015

Everything's coming up threes on Now Is the Time, Saturday, January 10th at 9 pm. Childlike simplicity is deceptive in creativity but Brian Belet achieves that goal in Drei Kinderstücke for solo piano. John Corigliano fascinatingly pairs soprano with flute for his Three Irish Folksong Settings, and for soprano with piano are settings of a Scottish poet in Three Tannahill Songs of Evan Chambers.

Philadelphia's own David Bennett Thomas comes along with Three Pieces for Clarinet and Piano, and for violin, cello, and piano is the Trio of Lera Auerbach. And to honor the memory of Fred Sturm, who just passed away in August, a saxophone quartet closes the program with one of his wonderful jazz-inspired compositions, Picasso Cubed.

Prelude and Excursion

Jan 3, 2015

We turn the corner into a new year of Now Is the Time, Saturday, January 3rd at 9 pm. Kevin McCarter's Prelude and Excursion for orchestra leads into a sacred new year's dedication for chorus by Carson Cooman, Set Me As a Seal. And then the pianist Marc-André Hamelin performs Twelve New Etudes, Book 4 by William Bolcom.

Robert Honstein snips dialog from an online dating service to entitle the electronic chamber works in his CD RE:you; we'll hear I know the feeling…. For violin and piano is Eric Moe's Preamble and Dreamsong from the 4-5 a.m. REM Stage. The last movement of Symphony of the Universe by Wendy Mae Chambers comes to us in a live recording from the cavernous Cathedral of St. John the Divine in New York City, and what better way to listen to Evolution, music for 100 timpani?

Taking Leave of 2014

Dec 26, 2014

The sun turns and we anticipate a new year on Now Is the Time, Saturday, December 27th at 9 pm. Stephen Hartke based The King of the Sun on a Joan Miró painting, itself inspired by a much older Dutch painting by Jan Steen. Chris Campbell finds sounds and creates sounds electronically in Sunface Streams Moonface. Amplified piano and soprano join in five settings of Federico García Lorca by George Crumb; he calls his Spanish Songbook II Sun and Shadow.

Nancy Galbraith features electric Baroque flute and electric cello in Traverso Mistico, and from a live recording we'll hear the exquisite middle movement, "The Joy of Sadness." And to say goodbye to the old year we'll look to one of the piano rags of Brian Dykstra's, Taking Leave.

We're counting down the days on Now Is the Time, Saturday, December 20th at 9 pm. Less Than a Week Before Christmas is David Golub's work for chorus and orchestra: about the cold, about a friend. Morten Lauridsen contemplates the wonder of animals at the nativity manger in one of our time's most-sung pieces, O Magnum Mysterium.

Composer Jennifer Higdon becomes her own poet for Deep in the Night, pondering "this season of love with full brilliant lights." Daron Hagen combines two melodies we recognize with a beautiful one we don't—because he just wrote it—in a work for choir with cello, At Bethlehem Proper. Rounding out the choral works on the program is While All Things Were in Quiet Silence by Ned Rorem.

Two instrumental works find their way in, though. Advent has the same feeling that imbues Yearning, the lovely work for violin and strings by Shulamit Ran, dedicated to Yehudi Menuhin. For solo guitar is the suite of Rick Sowash, helping us count down the days, For an Old Friend at Christmas.

El Niño

Dec 13, 2014

It's John Adams's Nativity oratorio El Niño on Now Is the Time, Saturday, December 13th at 9 pm. We'll fit in as much as we can, since the concert-length work is too long for our one-hour show.

Adams says that the birth of his daughter in 1984 was like a miracle. "Four people were in the room, and then there were five," he says, and that became the inspiration for his take on the Christmas story. Along with Latin and English, much of El Niño is in Spanish. The director Peter Sellars, who worked closely with the composer to create this, says that it's like a triptych that cannot be seen all at once. Unfold a panel to see what's there, and you hide another.

Dawn Upshaw, Willard White, and the late Lorraine Hunt Lieberson sing alongside chorus and orchestra in this grand Christmas-time pageant.

The Piano’s 12 Sides

Dec 5, 2014

Maybe Thanksgiving is making us burst at the seams on Now Is the Time, Saturday, December 6th at 9 pm, but we're chock-full of music on this program. There's not even enough time to play all of Carter Pann's substantial work for solo piano, The Piano's 12 Sides. It comes in at over an hour, so we'll trim just a bit and give over the entire show to this one work.

Pann dedicated each of the movements to a separate pianist, and we hear distinct personalities throughout the work. What we hear in Carter Pann is a composer at ease with music; he breathes with music in the many styles he assembled in this piece from 2011-12. Silhouette, White Moon over Water, Classic Rock, Soirée Macabre, Grand Etude Fantasy, and Irish Tune are some of the movements. This isn't eclecticism (not that there's anything wrong with that) per se, but all the personalities are expressed by one big personality, unafraid of either plain speaking or lovely sound. Joel Hastings is the splendid performer.

Giving Thanks

Nov 28, 2014

We're thankful on Now Is the Time, Saturday, November 29th at 9 pm at and WRTI-HD2. Film composer Victor Young (Shane, Around the World in Eighty Days) was a benefactor of the music department at Brandeis University, so when John Harbison had the opportunity to compose something for them, he wrote Thanks, Victor, echoing "When I Fall in Love" and other great tunes in this string quartet. Lawrence Dillon's Second String Quartet, "Flight," evokes flying and fugues, with, among other subjects, Daedalus and Icarus, birds, and paper airplanes.

Daedalus and Icarus also appear in William Bolcom's Inventing Flight for orchestra, as do Leonardo da Vinci and Orville and Wilbur Wright. Bolcom is grateful for the gift of flight, and we're grateful for the triumphant collaboration of this composer, his wife, mezzo-soprano Joan Morris, and librettist Arnold Weinstein in the ever-green Cabaret Songs. The program finishes with a fun, live recording of Vol. 4.

Join us on Sunday, November 23rd at 3 pm for a concert broadcast by The Crossing chamber choir, led by Music Director Donald Nally, and recorded in October at the Church of the Holy Trinity, Rittenhouse Square.

Different quartets evoke different textures on Now Is the Time, Saturday, November 22nd at 9 pm at and WRTI-HD2. Geology dominates Paul Lansky's Textures. It's for two pianists and two percussionists, and movement titles use words like striations, substrates, granite, and round-wound (makes me think of bass guitar strings). Hammering keyboards and lyrical mallets comprise this unusual foursome.

Philip Glass composed a string quartet, his fourth, in memory of the artist Brian Buczak, who died in 1987, and was a friend. The lilting, pulsing music carries a smooth sadness as its predominant Glassian texture; the great quartet Kronos brings this to us to close the program.

Post-modern Homages

Nov 15, 2014

Composers praise composers on Now Is the Time, Saturday, November 15th at 9 pm at and WRTI-HD2. Randall Woolf re-forms, with a string quartet, the phrasings of another century in Franz Schubert, and for Zeitgeist's 30th Anniversary, Carol Barnett wrote Z=30; Schumann's Excellent Extension (with a tip of the hat to Terry Riley).

Stephen Hartke salutes Rochberg, Satie, Enrique Oswald, and Donald Crockett in selections from his Post-modern Homages for piano. For computerized sounds is Reginald Bain's Chaos Game (for Nancarrow), honoring the early, groundbreaking work of Conlon Nancarrow. In Serenata No. 1, Brian Banks imagines the legacies of Henry Sapoznik, Arturo Marquez, and two Harrisons, Lou and George. And cellist Maya Beiser rips into Little Wing of Jimi Hendrix, arranged by Evan Ziporyn.